Troubled Times

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Two men share an odd friendship while they care for two women who are both in deep comas.

A Yugoslav stage actor marries an American girl in Belgrade and has a child with her, when his career downhill out of political reasons he develops a drinking habit, his wife leaves him and takes their daughter to U.S.A.

Marika is a cheerful girl who lives on the Danube aboard an old barge she inherited from her father. She works as a waitress in her aunt's inn, entertaining the guests with singing and dancing. Her greatest dream is to save enough money to repair the old barge and sail down the Danube. One day, she meets three young artists, Georg, Oskar, and Christoph, who all fall in love with her. Together, they put on an open-air revue and raise the necessary money. And with Georg, Marika is lucky in love.

An accountant, presumed honest, inadvertently finds 7 million francs in his bag and decides to change his life.

Lakis Lazopoulos climbs on the roof following the course of the breakdown of the average Greek. A house is sinking, the river has overflowed, no one will stay. The river carries them all away. On the roof, Lakis Lazopoulos, as a modern Odysseus, sinks like our life sinks today. The past begins to knock on the door and asks to take a stand. The history of the modern Greek from 1960 until today, the dissolution of us, the rise of the ego, the descent of emotions, the transition to corruption, the ridicule of the Greek in history. Chryssa Ropa, as a modern Penelope, tries to keep the house, the child, the life that is lost. But love and affection are crushed in the years of infidelity and greed.

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

A mockumentary following the troubled production of Clockmen: The Musical, focusing on a cosplayer-turned-actress who reacts to the stress of the production in a rather unusual way.

Pavel Pavlovich Goryaev is not that young of an actor. For many years he plays in the provincial theater in leading roles. The director of a play based on a play that was written for Goryaev takes the young actor for his role. Goryaev at first falls into despair, leaves the theater, turns to friends. After a while he digests what happened and realizes that it is time to leave the stage with dignity.

New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves.

A cheating husband invents a fake best friend to cover up his affairs. When his suspicious wife insists on finally meeting this imaginary friend, the husband recruits a random, down-on-his-luck stranger from a bar to play the part, sparking a chaotic chain of events.

Isabella Eklöf is an unemployed actress in her early thirties. Her friends all enjoy stable relationships, children and successful careers. In order to jump-start her life she decides to lie a bit on her next job application with unexpected consequences.

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In the near future plays are staged that feature live murder on stage. Adam Morris, a young struggling actor, has just taken the lead in one. His co-star, Noelle, wants to know why.

The year 1933: Successful actress Maria Rheine is in love with her Jewish colleague Mark Löwenthal. When the Nazis implement the racist Nuremberg Laws, their relationship is severely endangered. Defiant Maria decides to stay together with Mark and ends her promising career: She assumes a Jewish identity and continues to work under the name Manja Löwenthal. She and Mark perform at the Jewish Theatre in Berlin, until they become victims of an intrigue: Their colleague Judith, who has a crush on Mark, denounces them to the secret police.

Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.

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A lesbian couple experiences microaggressions at a workshop upstate. Claire and her fiancée Monica embark from the boisterous streets of New York City to the Berkshires, where Claire has been invited to stage her latest work at a rural theater company. While Claire's actors question her ability to write heterosexual dialogue, Monica encounters her own source of micro-aggression in the form of Mutty, the groundskeeper.

Sometimes the drama backstage is better than anything on it... Sometimes the drama backstage threatens to destroy everything on it.