Stalin's James Bond

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A German submarine hunts allied ships during the Second World War, but it soon becomes the hunted. The crew tries to survive below the surface, while stretching both the boat and themselves to their limits.

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Pyatigorsk. The foot of Mount Mashuk. Morning of July 15, 1841. Two days ago – friends, overnight – irreconcilable enemies. A few hours remain until the duel between Lermontov and his friend Martynov. Relatives, friends, acquaintances of the duelists are trying to prevent the duel.

A film about the life and work of the Azerbaijani immigrant journalist and writer Mohammad Asad Bey, who emigrated to Germany after the collapse of the Republic of Azerbaijan at the beginning of the 20th century

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2-channel film installation 'Die Last meines Namens', wherein Heydt deals with an unpleasant part of his own family history. Heydt’s great-grandfather was a member of the NSDAP and mayor of the small town of Haselünne in Emsland for almost 10 years during the Third Reich. Based on interviews with his grandfather and research in various archives, Heydt develops a personal perspective on the subject. The film deals with how we construct identity from oral retellings, how we process family histories, and how we can find current and personal points of access to German remembrance culture. At the heart of the work are two conversations with his grandfather Heinrich Heydt, recorded at different points in the research process. In them, the grandfather describes his memories of his father, the time, and the two reflect on the subject and the results of the research.

Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.

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An in-depth portrait of British composer, pianist and singer Elton John, pop star and myth of modern culture.

102 Years in the Heart of Europe: A Portrait of Ernst Jünger (Swedish: 102 år i hjärtat av Europa) is a Swedish documentary film from 1998 directed by Jesper Wachtmeister. It consists of an interview by the journalist Björn Cederberg with the German writer, philosopher and war veteran Ernst Jünger (1895-1998). Jünger talks about his life, his authorship, his interests and ideas. The actor Mikael Persbrandt reads passages from some of Jünger's works, such as Storm of Steel, The Worker, On the Marble Cliffs and The Glass Bees.

The extraordinary story of how Hollywood changed World War II – and how World War II changed Hollywood, through the interwoven experiences of five legendary filmmakers who went to war to serve their country and bring the truth to the American people: John Ford, William Wyler, John Huston, Frank Capra, and George Stevens. Based on Mark Harris’ best-selling book, “Five Came Back: A Story of Hollywood and the Second World War.”

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

Shortly before the end of the war in 1945, the Allies can already be heard in Nesselbühl in Swabia when three freight cars are uncoupled at the station. The screams of the starving concentration camp prisoners inside can be heard throughout the village, but nobody dares to help them. Only the innkeeper's daughter Anna takes heart...

German TV movie chronicling the life of singer and actor Roy Black.

In late nineteenth century Alfred Dreyfus, a French army officer of Jewish heritage, is falsely accused of espionage. Found guilty of treason he is drummed out of the army and sent to prison on Devil's Island.

Using never-before-seen footage, Japan's War In Colour tells a previously untold story. It recounts the history of the Second World War from a Japanese perspective, combining original colour film with letters and diaries written by Japanese people. It tells the story of a nation at war from the diverse perspectives of those who lived through it: the leaders and the ordinary people, the oppressors and the victims, the guilty and the innocent. Until recently, it was believed that no colour film of Japan existed prior to 1945. But specialist research has now unearthed a remarkable colour record from as early as the 1930s. For eight years the Japanese fought what they believed was a Holy War that became a fight to the death. Japan's War In Colour shows how militarism took hold of the Japanese people; describes why Japan felt compelled to attack the West; explains what drove the Japanese to resist the Allies for so long; and, finally, reveals how they dealt with the shame of defeat.

As curfew approaches, an everyday heroine risks it all in a smuggling operation from Nazi-occupied Poland.

In 1945, 160 German cities lay in ruins and the loss of millions of lives, billions in material assets and countless cultural treasures was mourned throughout Europe... With the question “How could it happen?”, the film goes back to the year 1914, when the “primal catastrophe of the 20th century” took its course with the First World War.

A Nazi propaganda film about the lead up to World War II and Germany's success on the Western Front. Utilizes newsreel footage of battles and fell into disfavour with propaganda minister Goebbels because of it's lack of emphasis on Adolf Hitler.