Situation of the Street or the Czech Sea in the 18 Tidal Waves

An essay film about... things that don't make sense. Or maybe they do, I don't know. You tell me.

A film-letter that tells the tale of an unlikely and recurring discussion about the perception of herons in the urban environment. (Un)intentionally, it raises questions about how we see ourselves as residents of "less affluent" areas of Rio de Janeiro.

As the city of Paris and the French people grow in consumer culture, a housewife living in a high-rise apartment with her husband and two children takes to prostitution to help pay the bills.

Twenty-five films from twenty-five European countries by twenty-five European directors.

In 2010, an obsessed gamer designed the perfect game of Sim City. Achieved through a repeating pattern of clustered high rises, “Magnasanti” exposes the hellish consequences of top-down civic design. In his new documentary, John Wilson explores how New York City is creeping closer and closer to realising this fictional metropolis.

Jim, a slacker college student, decides to procrastinate on an essay worth 25% of his grade. Will he finish in time, or suffer the consequences?

Partly a parody, partly a mockumentary, partly an essay film - and also an actual behind the scenes documentary of two short films.

A videographic fantasia on the films of Alfred Hitchcock that quickly veers into controlled insanity. Through fervor and mania, this unconventional cinematic homage re-imagines the influence of the master of suspense. A "murdergame" means to will a dream into existence, and fall victim to obsession.

Humankind has always dreamt of the night sky. Of the infinite freedom offered by the black void, and of the strong, shining beacon inviting us to ascend. This is a story, a history of the events that led up to our conquest of space, and the consequences throughout wider humanity. The film is a collage. Of genres, documentary and comedy. Of media, drawing from painting and film. Of films, cannibalising all film history. Of truth, both objective and subjective. Watch the small steps and let your mind take a giant leap.

The film begins as a documentary about an author known for autofiction. By incorporating multiple making-of layers, it blends the process of making the documentary with the author’s narrative technique.

The sarcastic account of the assassination of five Spanish politicians between 1870 and 1973 is mixed with the narration of five short stories by Edgar Allan Poe illustrated by five skillful pencil artists. A documentary, a video essay, a collage, a provocative experiment where various pop culture figures and icons perform unexpected cameos. The macabre joke of a jester. Never more.

An essay film in which three young people unearth a clandestine archive of Brazilian cinema and plunge into a Dadaist–Third World delirium. Amid forbidden images and personal memories, they implode the very idea of Brazil.

A video essay about a conversation the director had with a friend about a particular picture of a cat sitting in front of a plate of blins.

Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.

While Trevor and Sam are smoking pot, Trevor’s mom comes home. When she finds out, Trevor reveals his father’s adulterous ways and destroys his family.

A boy writes an essay about a bad day.

A found-footage essay, Filmfarsi salvages low budget thrillers and melodramas suppressed following the 1979 Islamic revolution.

With noise-canceling headphones, they communicate with an inaudible counterpart. Decoupled, they move around the room and meet their surroundings. Intimate stories and needs are discussed. The personal blends into a shared portrait.

A visual essay on contemporary Kiwi architecture.

A film essay in which multiple female characters, drawn from different films, slowly overlap and connect through a shared state of melancholy.