Wallflower

A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.

In 1964, the Joffrey Ballet company splits over a struggle for artistic control and the HARKNESS BALLET is born, revolutionizing the way dance is taught and performed forever. And then it disappeared.

A celebration of extraordinary choreographed moments in a countdown of TOP 25 of the most memorable dances in cinema history.

Follows the young people of Selma, Alabama's RATCo (Random Acts of Theatre Company) as they journey to New York City to share their story of hope, resilience, and overcoming.

Christine attends her first and last prom accompanied by Martin Fredericksen

A body lurchs through the university.

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Altötting in Bavaria, around 120 km from Regensburg, is a much-visited pilgrimage site. Numerous Catholic pilgrims come here every year. The photographs show various groups of pilgrims in search of extraordinary and spiritual experiences, which are contrasted with the ordinariness of village life. The secular-commercial organization of the pilgrimage site and the marketing of the miracle do not always make it easy to distinguish between pilgrims and tourists, pilgrimage and spectacle, faith and madness.

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."

The documentary portrayed one of the most established dance companies in Hong Kong which has a history of over four decades. With a tradition of blending Chinese dance and ballet together in the training, the dance company has set sail to re-evaluate its artistic essence by adapting new physical disciplines and philosophy, picking up different cultural traces, meditation and Chinese martial arts. Through monologues of the company members, the film unveiled their fears, self-doubts, and findings in their quest to refine their dance forms and express their cultural roots. It's an uncertain journey towards the cultivation of inner peace and the essence of movement and stillness.

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Visitors to Jasper Park can enjoy the spectacular beauty of the Rockies. Holiday thrills include trail riding as well as tennis and swimming.

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Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)

A crew of strangers converge over a quick slice inside a NYC pizza shop - a casual community hub. When a “contaigent” enters, dance turns inconsequential moments into idiosyncratic gestures, toggling between task and Bob Fosse-inspired choreography. Subtle and disorientating editing crafts an intimate dream between strangers.

Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.

Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, "Goodbye to Language," at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video "Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux." The video intercuts from Godard speaking cryptically about his "path" to key scenes from Godard classics such as "Alphaville" and "King Lear" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.

After seeking transcendence through shamanic rituals, Ana’s life is transformed overnight by an unexpected turn toward faith.