Apples and Oranges

Six poems written by six young prisoners animated to tell their stories, thoughts, fears and hopes.

An alliance of evil-doers, led by Frieda, looks to take over Fairy Tale Land. But when Ella realizes her stepmother is out to ruin her storybook existence, she takes a dramatic turn and blossoms into the leader of the resistance effort.

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The visual style of the film is inspired by ancient tribal symbols, which constantly morph into each other. They represent life in a womb-like frame.

Meet the Math Facts Multiplication & Division Level 1 makes multiplication and division fun and easy! You will learn basic multiplication and division through fact families. With fun characters that you will grow to love, level 1 will teach you to easily recall basic multiplication & division math facts from 0x0 to 3x12. Primary School Prep is a division of Preschool Prep Company, home of a complete set of learning tools that have won over 100 awards. These educational products are used in homes and schools around the world. You will be amazed at how easily you can learn math!™ Features multiplication & division math facts from 0x0 to 3x12

When Saikawa rips off Keigo’s mask, he sparks unexpected feelings—and a deal: tutoring in exchange for learning to love what’s behind the mask.

Ayumu, struggling with a rare condition that turns him to stone, creates a new persona for himself, but his feelings grow for his teacher, Kouya, who sees beauty in his transformation.

Early abstract 3D film by animation master Norman McLaren and collaborator Evelyn Lambart.

This very short stereoscopic film by Evelyn Lambart uses drawings to suggest movement across Canada’s ever-changing countryside.

Men and women, all dressing up, awaiting, tempting, enjoying the bliss or sadly unsuccessful. Delights of the body, yearning, excitement, luxury, decadence, erotic of the common day. The erotic as frivolous, mischievous, frolic, comic and sometimes also slightly serious animated musical erotic fantasy. Much like the modern dance art, the film is marked by interplay of the visual and musical components – picture, rhythm, color, motion. The film consists of separate sequences, each of them accompanied by individual musical movements of Mr. Saint-Saens’s compo­sition.

Several scary black-and-white animated segments in different styles appeal to our fear(s) of the dark.

Love is love. Someday, the pain of being in love will be an endearing memory. No matter who the feelings are towards, no matter what form it takes, all love and lifestyles have the same value. An omnibus anime tells the stories of “The wedding of an ex”, “a student and a teacher at an all-boys’ school” and “childhood friends whose bodies and hearts change with adolescence.”

This short animation features four guests of curious demeanour who commit unforgivable acts at the dining table. Food flies everywhere while the guests prop their feet up and talk with their mouths full. Thankfully, Lady Fishbourne’s eating etiquette instructions will show these dinner party misfits the error of their ways.

"We Go Past Future" is an experimental paper collage film by Anna Malina. The film reimagines a series of Soviet films from 1919 to 1953, blending them into a unique visual narrative.

A dystopic future reimagines the impact of Thatcher's section 28 on queer people.

An animated film created from pastel drawings by Clorinda Warny, Premiers Jours traces the complete cycle of life, from birth to adulthood, in four seasons, and through the evolution of earthly landscapes that become human bodies. Completed Postumously by Suzanne Gervais, Lina Gagnon

Camille's life is ruled by the ring of the alarm clock each morning. Her well-ordered life consists of preparing her cat's meals, and hearing the familiar sound of the automatic till in the store where she works as the cashier. But one day, a man enters her home without her knowing and starts living there during the day while she's at work. Little by little, he will free her from her chains.

Abandoned after coming out, Shun befriends Mio just before he has to move. Years later, Mio returns with a confession. How will Shun feel?

Camille is about to take a bath when a child appears and questions the identity she has built up until now. After having a talk with whom she should have become, she fully embraces the doubts and issues that come with the construction of one’s unique identity.

Chisato is a beautiful 35-year-old writer, who looks like 18, and the father of Riju, a cute 15-year-old boy. Chisato's hobby is to drive away all of Riju's friends because he thinks they want to corrupt his precious child, so he shows his good side to these boys while he poisons the cake he brings them with a smile; however, there is one guy, Shunsuke, who doesn't fall for the tricks. But is Shunsuke really aiming for Riju? Who is that mysterious writer Chisato loves so much? And why is Chisato convinced that Riju's friends want to take advantage of him?