The Return

The erotic novelist Taeko is writing a morbid story of a family destroyed by incest, murder and abuse. Her assistant, Yuji, sets on a mission to uncover the reality of this story, but the reality might be too much to bear.

Keisuke Kuroda wakes up in a hospital bed unable to remember who he is. While sneaking out of the hospital, he sees a glimpse of the news and realizes that he is the Prime Minister of Japan. His approval rating was the lowest in the history of modern Japan. During a recent speech, a citizen had thrown a rock at him causing him to lose his memory. Keisuke Kuroda’s subordinate takes him to the official residence of the prime minister where he tries to implement changes to the country. The only people aware that he has lost his memory are his three secretaries.

Japan blossomed into its Renaissance at approximately the same time as Europe. Unlike the West, it flourished not through conquest and exploration, but by fierce and defiant isolation. And the man at the heart of this empire was Tokugawa Ieyasu, a warlord who ruled with absolute control. This period is explored through myriad voices-- the Shogun, the Samurai, the Geisha, the poet, the peasant and the Westerner who glimpsed into this secret world.

In the 15th year of the Genroku era (1688), the world praised the 47 ronin who avenged the death of their master Asano Takumi-no-kami. Shogun Tsunayoshi, who ruled at that time, experienced difficulties in what punishment to impose on the soldiers. As a result, it was decided to sentence them to seppuku (ritual suicide).

Seppuku Day 17 Ako ronins, including Kuranosuke Oishi, who were entrusted to the Hosokawa family, and the events of the two days before are depicted as a tragic romance between one of the ronins, Jurozaemon Isogai, and Omino. An adaptation of Seika Mayama play "Genroku Chusingura, the Last Day of Oishi", which tells about the torments of life and death of samurai living in feudal times.

A boy living in underdeveloped Welsh village hopes for a better time of his homeland when seeing the two Japaneese businessmen with the apparent intentions to build a factory there.

Fifth movie in the Hissatsu (Sure Death!) Series. At the behest of a corrupt bureaucrat, a mysterious band of murderers wage a bloody battle against three deadly assassins.

A teenage girl's accidental death incites a media frenzy and causes her harsh father to turn his rage against those he believes are responsible.

In the summer of 1941, the United States and Japan seem on the brink of war after constant embargos and failed diplomacy come to no end. "Tora! Tora! Tora!", named after the code words used by the lead Japanese pilot to indicate they had surprised the Americans, covers the days leading up to the attack on Pearl Harbor, which plunged America into the Second World War.

Yasube Nakayama left the clan and lives in Edo. One day, Yasubei visits his uncle Rokuroemon Kanno to borrow money from a moneylender in the amount of 13 ryo in order to save Oteru, the daughter of a merchant. However, the next day, Rokuroemon was killed in a fight by the Murakami brothers. Yasubei rushed to the scene, took revenge and became the husband of Miya, the daughter of Horibe Yahei.

In this companion piece and sequel to "Yojimbo," jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a proper samurai on its ear.

In 2011, Vicky looks back on her life a decade earlier, recalling her turbulent relationship with her controlling boyfriend Hao Hao and her growing connection to a compassionate gangster amid the neon haze of Taipei's nightlife.

The Color Print of Edo is a 1939 black and white Japanese silent film with benshi accompaniment directed by Kazuo Mori. It is a cheerful period drama, sprinkled with comical scenes and tells the story of a loyal and handsome Edo period servant who fights to help his older brother marry the woman he loves. The star of this film, Utaemon Ichikawa, gained enormous popularity for his portrayal of a cheerful and chivalrous man.

Shakespeare's King Lear is reimagined as a singular historical epic set in sixteenth-century Japan where an aging warlord divides his kingdom between his three sons.

Revealing the flaws of Japanese society, the 1995 sarin gas attack in the Tokyo subway prompted Murakami to return to his homeland, whose conformism he rejected, to examine it closely. This led to the creation of two works: Underground and 1Q84.

As Japan’s Tokugawa shogunate nears the end of its rule, Edo North Magistrate Toyama no Kinsan is called upon to judge the most difficult case of his career. In a masterfully woven tale, he has to face the truth about his estranged father’s possible involvement in a nefarious plot to take over rule of the Hizen Shimabara clan by assassinating the rightful lord, his son, and install one of Shogun Ienari’s offspring as daimyo.

Japan's Imperial system is said to have over 2,000 years of history. A closer look at the history reveals how the Imperial institution has shifted with the times, and with the people. At a time when there are only three heirs to the throne, a look is taken at what this could mean for the people of Japan and their Imperial system.

In a world where vendettas are officially sanctioned, the people sometimes needed help in carrying out their vengeance. Sanada Hiroyuki stars as Sukeroku the Helper, a ‘cool and rambling yakuza’ that has made a business out of helping victims carry out their revenge. When he returns to his hometown to pay a visit to his mother’s grave he meets a deadly ronin who carries a secret which eventually leads him into a vendetta of his own.

Sen no Rikyu (Ebizo Ichikawa) is the son of a fish shop owner. Sen no Rikyu then studies tea and eventually becomes one of the primary influences upon the Japanese tea ceremony. With his elegant esthetics, Sen no Rikyu is favored by the most powerful man in Japan Toyotomi Hideyoshi (Nao Omori) and becomes one of his closest advisors. Due to conflicts, Toyotomi Hideyoshi then orders Sen no Rikyu to commit seppuku (suicide). Director Mitsutoshi Tanaka's adaptation of Kenichi Yamamoto's award-winning novel of the same name received the Best Artistic Contribution Award at the 37th Montréal World Film Festival, the Best Director Award at the 2014 Osaka Cinema Festival, the 30th Fumiko Yamaji Cultural Award and the 37th Japan Academy Film Prize in nine categories, including Best Art Direction, Excellent Film and Excellent Actor.

Five years after the all-out war between the Sanno and Hanabishi crime families, former yakuza boss Otomo works in South Korea for Mr. Chang, a noted fixer. When tensions rise between Chang and the Hanabishi, and Chang's life is endangered, Otomo returns to Japan to settle things once and for all.