Extraconiugale

ONE HOUSE. FOUR DEATHS. THE SACRED TEXT. The true anthology film opus.

A friend group is having a movie night when suddenly somebody disappears and forces the group on a hunt for the missing person in their seemingly haunted house.

Van Wilder has been attending college for far too many years and is scared to graduate, but Van’s father eventually realizes what is going on. When he stops paying his son's tuition fees, Van must come up with the money if he wants to stay in college, so he and his friends come up with a great fund-raising idea – throwing parties. However, when the college magazine finds out and reporter Gwen is sent to do a story on Van Wilder, things get a little complicated.

Deuce Bigalow goes to Amsterdam after a little accident including two irritating kids and a bunch of aggressive dolphins. There he meets up with his old friend T.J. Hicks. But a mysterious killer starts killing some of Amsterdam's finest gigolos and T.J. is mistaken for the extremely gay murderer. Deuce must enter the gigolo industry again to find the real murderer and clear T.J.'s name.

Eva Holubová, Tomáš Hanák, David Vávra, Milan Šteindler, Martin Dejdar, Jitka Asterová have all starred in early short films by Tomáš Vorl. Nobody knew them at the time. And they themselves had no idea that they would one day shine in the Czech film sky.

A collection of seven vignettes, which each address a question concerning human sexuality. From aphrodisiacs to sexual perversion to the mystery of the male orgasm, characters like a court jester, a doctor, a queen and a journalist adventure through lab experiments and game shows, all seeking answers to common questions that many would never ask.

On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.

An anthology of eleven vignettes featuring star-studded casts of extremely unique individuals who all share the common activities of conversing while drinking coffee and smoking cigarettes.

A group of teenage girls forms a club, The Sweater Girls, to preserve their virginity.

Three frivolous girls travel to Paris in the course of a student exchange and plunge into every imaginable erotic adventure.

This comedy has everyone's favorite 6 Swedish gals enjoying their stay in the alps. When the girls aren't enjoying the pleasure of their own company they're out having a good time with nearly everyone else in town.

Arriving in an alpine village a crook is mistaken for a recently deceased doctor and decides to impersonate him. Three girls stranded in the same village are sheltered by the "doctor" and naked German hilarity inevitably ensues.

Three Bavarians travel to Bangkok, allegedly to start exporting German beer there. But the local vicar hears that they only go there to have fun and follow them to watch over them.

Matt Sullivan's last big relationship ended in disaster and ever since his heart's been aching and his commitment's been lacking. Then came Lent, that time of year when everybody gives something up. That's when Matt decides to go where no man's gone before and make a vow: No sex. Whatsoever. For 40 straight days. At first he has everything under control. That is until the woman of his dreams, Erica, walks into his life.

After a year apart - attending different schools, meeting different people - the guys rent a beach house and vow to make this the best summer ever. As it turns out, whether that will happen or not has a lot to do with the girls. Between the wild parties, outrageous revelations and yes, a trip to band camp, they discover that times change and people change, but in the end, it's all about sticking together.

A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. In the second of three parts, we follow Luper as he works in a cinema, giving him ample opportunity to cross paths with virtually every artistic device and dramatic character known to man.

Rosemarie, called Rosi, and her colleague Uli have worked as waitresses in a strip club in downtown Munich. Now the disused shop has been closed by the police for reasons of custom and decency.

Rolf, a sex-advice columnist and a lecher, has affairs with numerous women, but never a permanent relationship. Suzanne, one of his ex-lovers, offers to bet that no woman can get Rolf to propose marriage, a bet her girlfriend Andrea eagerly accepts. But there's a catch: To win the bet, Andrea must get the womanizing Rolf to commit to marriage without first going to bed with him.

Egon Kappes has a problem. For years, the honest and righteous mountain man has played the lottery with his buddies, and for once he has a winning ticket! But Egon can't find the ticket, and his buddies only have a few days before they have to pay back the usurious "butcher of loans" Noppeney. As the financial situation becomes more dire, Egon forgets about the search for the ticket, and pimps out his wife Erna (Alena Penz) in a brothel of women (run by Elisabeth Volkmann). They go on a shopping spree while completely forgetting about the loan. After a mental breakdown and being committed to a psychiatric clinic, Egon "comes across" two self-sacrificing nurses Monika and Veronica (Uschi Karnat), who help him remember where the winning lottery ticket was placed...

One of the many German "report" sexploitation films from the early 1970s, with the only distinction that it focuses on female apprentices instead of schoolgirls.