
El origen de las utopías
Overview
A double story of music and companion; this documentary portraits two different and itinerant social bands.
Top Cast
Dueños de la calle
Fuerza mayor
Key Film Crew
Production Stats
You May Also Like

In 1971 September met four young men in a garden in Gentofte. They wanted to make a band. And they soon found out that they could joke his way to one hit after another. A handful of years later had their playful approach made them Denmark's largest orchestra. But if success came easily to them, it was also their biggest problem. For besides they were hit by alcoholism and stage directing, they faced one overriding dilemma: Should they stick to the happy drengerøvs tone (young men who appear to be young, immature or inexperienced or who behave childishly), they had so much luck, or trying to become adults?
Fluer i Kødbyen

In this fascinating Oscar-nominated documentary, American guitarist Ry Cooder brings together a group of legendary Cuban folk musicians (some in their 90s) to record a Grammy-winning CD in their native city of Havana. The result is a spectacular compilation of concert footage from the group's gigs in Amsterdam and New York City's famed Carnegie Hall, with director Wim Wenders capturing not only the music -- but also the musicians' life stories.
Buena Vista Social Club

Two closely related episodes. Youths make problems for two local orchestras about to compete nationally, and in a talent competition a young girl gets stage fright, while another lies to her boss to compete.
Audition

When "Take On Me" reached nr 1 on Billboard in the US in 1985, the dream came true. Or did it? The band was not prepared for what the success could bring, including tension between the three band members.
a-ha: The Movie

A documentary that follows a middle-aged Azorean record obsessive who has lost the vinyl collection of his youth, and so seeks to reconnect with it through talking with the fellow island collectors he grew up with about the music scene of their wilder years.
Lost Records

An in-depth tour of the band’s sophomore album with a thrilling live performance, interviews and backstage footage.
HAIM: Behind the Album

Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.
Rude Boy

Duran Duran: Unstaged is a multimedia event that takes the audience on a cinematic journey with one of the most successful acts in the world during their performance at the Mayan Theater in Los Angeles.
Duran Duran: Unstaged

Láďa is always joking. Petr has his own incomprehensible dictionary. Jana seeks a partner via a dating service. They are linked through their joy in music and their involvement in the group founded more than 20 years ago by bandmaster Šimon Ornest. Strictly, almost despotically, without pity but with great energy and understanding, he not only leads his musicians to a place on the music scene but is also their support and friend.
Two Roads

Sultan of the Disco was proclaimed "the first lip sync dance group in Hongdae." Now, they have since become one of the most well-known bands in the Hongdae music scene. The director decided to make a documentary about the band when they were officially invited to the Glastonbury Festival in England in 2014. The director originally expected to record some scenes as he followed the process of the band making their second studio album. However, you never know what the future will bring.
Super Disco

The story of Gritando HC, a Brazilian hardcore band from its beginnings in 1994, the death of its founder, Donald, and how they remained active and relevant in the scene to this day.
Gritando!

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.







