Rehearsals for Extinct Anatomies

A little pigeon finds a strange substance and decides to take a chance by trying the new treat—after all, why not? Pigeons are already odd, so what harm could it do?

In the year 2150, Johnny, a lazy Space Delivery Man, must deliver a package on a planet he does not fully understand.

A little girl waits for his father, who is fighting on the front line, to come back home.

A independent short stop-motion animation film with cut-out puppets.

In a trash-filled city, a homeless woman's encounter with a fish takes an unexpected turn.

This is a film about a man without a face. His arms and legs, bound with ropes, the disabled man is still without even a shudder in a white room. A series of unusual scenes in this room expresses what lies between memories, nightmares, and violent images.

Follow the animated journey of an Indigenous photographer as she travels through time. The oral and written history of her family reveals the story — we witness the impact and legacy of the railways, the slaughter of the buffalo and colonial land policies.

Stop motion adaptation of The Phantom of the Opera.

Sir John Lubbock’s true story and his scientific writings on Ants, Bees & Wasps stood out as contemporary for the co-directors, Osbert Parker & Laurue Hill who worked in collaboration. Themes of cultural displacement, civilisations and environmental concerns were found in their interpretation of Lubbock’s story still relevant today. A diverse range of techniques from, stop-motion, 2D cut-out’s and digital animation is combined to tell a bizarre and beautiful love story with a sting in its tale.

Two thieving gloves try to snatch an apple.

In an empty bar, a lone patron plays a game of pool.

After hearing someone's "meow" for the first time in his life, baby puppy goes in search of the unknown beast and meets various inhabitants of the house and yard. On children's curiosity and the first acquaintance with the world.

Enter Hamlet is a collage of images in cartoon form of a word put in balloon in each jump-cut scene as that word is said by the narrator Maurice Evans during his “To be or not to be…” soliloquy recording.

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A silent figure known as The Assassin travels through a nightmare underworld of tortured souls, ruined cities and wretched monstrosities forged from the primordial horrors of the unconscious mind of Phil Tippett, the world's preeminent stop-motion animator.

On the planet Ygam, the Draags, extremely technologically and spiritually advanced blue humanoids, consider the tiny Oms, human beings descendants of Terra's inhabitants, as ignorant animals. Those who live in slavery are treated as simple pets and used to entertain Draag children; those who live hidden in the hostile wilderness of the planet are periodically hunted and ruthlessly slaughtered as if they were vermin.

The second part of the series Cypriot Collage Stories sketches out the history of this Mediterranean island as a conflict of its two mothers – Aphrodite and Virgin Mary. Animations and collages are intertwined with found footage of the 1974 Turkish invasion of the island, revealing the obvious fact that modern conflicts are rooted in history.

Mankind can no longer reproduce because of gene manipulation aimed at making life longer. The clones ruling the bottomless underworld may have become fertile. Parton is selected to go on a mission through a subterranean labyrinth crawling with monsters to secure humanity's future.

Kinku is a girl who lost her older sister Nanki, who disappeared a long time ago. Hoping to see Nanki again, she begins her journey along several winding paths, going through her fears and pains until she builds a place where she knows there are different ways to meet the ones we love.

A bird raised by mice begins to question where she belongs and sets off on a daring journey of self-discovery.