Your Name in Cellulite

In 1971, graduate student Gloria Orenstein received a call from Surrealist artist Leonora Carrington that sparked a lifelong journey into art, ecofeminism and shamanism. This short film uses art, animation and storytelling to celebrate this wild adventure. Now more than 40 years later, award-winning Dr. Gloria Feman Orenstein is a feminist art critic and pioneer scholar of women in Surrealism and ecofeminism in the arts. Her delightful tale brings alive an often unseen history of women in the arts.

Leela becomes an outlaw when she and a group of ecologically-minded feminists attempt to save an asteroid of primitive life forms and the Violet Dwarf star from being destroyed, while Fry joins a secret society and attempts to stop a mysterious species known as the "Dark Ones" from destroying all life in the universe.

The film talks about how in India everyone wants to be light skinned, and how there is a sense of idealism and beauty associated with fair skin, whereas it is negativity and repulsion that is associated with dark skin.

An update of our classic human anatomy.

Second film in the Blind Justice documentary animation series about women and the law. Roche combines 3 brief gems on equal pay, rape, and the myth of the virgin & the whore.

A middle-aged housewife is burnt out, but she'll soon find her flame again, when an unexpected nightly encounter takes her to a dance that will change her whole community.

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Naranja is a woman that endures daily street harassment and catcalling; the constant sexualization and objectification of her body is reflected on the spots that these violent acts leaves over it. Naranja will have to react before the spots consume her.

Orbitas is the story of an impossible love which revolves around a planet at war.

Born of a flower and growing to only a couple of inches tall, poor Thumbelina is worried she'll never meet someone her own size, until she happens to catch the eye of Prince Cornelius of the Fairies. Just as soon as she finds love, however, it's torn away when she's kidnapped by Ms. Toad. Now Thumbelina has to escape Ms. Toad's grasp and search for Prince Cornelius. Luckily, there's a whole city of animals willing to help.

Dayna flees her tour and finds solace in South Dakota's Badlands, connecting with nature and locals, healing from abuse. Her disappearance fuels fame, leaving her stranded in the wilderness she loves, saved from suicide but risking death.

Abducted by a jungle tribe to undergo a brutal initiation, three teenage girls enter a divine realm where taming giant snakes – their totem animals – becomes a rite of passage into adulthood.

An exploration of entering and leaving consciousness from the perspective of non-human bodies trapped in everlasting cycles of abuse.

Sugar Walls Teardom reveals the contributions of Black womxn’s wombs to the advancement of modern medical science and technology.

In this modern twist on a classic fairy tale, a headstrong princess is stolen by an evil sorcerer, and her scholarly fiancé must use his wits in an epic quest to find her while she boldly challenges her captors and plots a daring escape.

The second essay about still dominant dark aspects of our modern society. It is conceived as a surreal anti-patriarchal thought experiment and raises important questions about gender, power, and social change, prompting us to reflect on how historical patterns of discrimination and oppression might be either repeated or overcome in a reversed gendered world. It challenges the viewer to confront their own assumptions and biases, and to consider the possibilities of a more equitable society.

On the banks of the Vistula River, a mermaid, and a bar matron face off against gendered power. Through an emblematic confrontation with a young fisherman, they tear at the net of prevailing misogyny.

In Morocco, children grow up fearing the witch Aïcha Kandicha. Yet some say she may have lived during the Portuguese rule over Morocco. This animated tale delves into the shadows to uncover her story.

The South Shields-born animator Sheila Graber looks at the growing gender bias in toys for girls and boys. At the stroke of midnight on Christmas Eve, monster killing machines and robots fight each other and toy soldiers in khaki battle against pink clad, cute dolls, threatened animals and fairies. The toys gradually find their traditional roles reversed and harmony returns to the fictional killing fields of a Christmas home.

An animated satire on the question of self-image for African American women living in a society where beautiful hair is viewed as hair that blows in the wind and lets you be free. Lively tunes and witty narration accompany a quick-paced inventory of relaxers, gels, and curlers. This short film has become essential for discussions of racism, African American cinema, and empowerment.