
Die Eloquenz der Tiere (1/2)
Overview
No overview summary available for this movie.
Key Film Crew
Production Stats
You May Also Like

Cathyâs birthdayâs on 29th February, which is an impossible day as it is, because itâs a leap day. Then her dad comes up with the bright idea of giving her a duck egg to hatch for her tenth birthday. The chick appears when Cathy and her best friend Margot are watching, and the chick thinks Margot is its mummy. But Margot is bound to a wheelchair and will soon have to go to a special home. Unable to look after the duckling on her own, her parents decide to ged rid of it... Cathy and Margot end up in an adventure which teaches them a lot about how to rescue a migratory bird, but even more about themselves.
Birds of Passage
It all begins with western riders coming down the main street of a town that looks a lot more urban than the usual town you see in western movies, with building facades of stone, even though the streets are dirt.
The War Bonnet Round-Up

Filmmaker Peep Puks has directed 61 documentaries and created almost 40 programmes for television. In this film, he looks back on a lost time, the films that have accompanied him, and the colleagues without whom this all wouldnât have happened. Itâs also the story of the first post-war generation of Estonia and the birth of the Estonian documentary.
The Story Of Peep Puks

It depicts the daily lives of people whose job is to chase away cormorants that eat fish from a fish farm near Donji Miholjac, Croatia. Cormorants are protected by law and their nesting grounds are located across the border, in Hungary, which gives the protagonistsâ efforts a Sisyphean, absurd.
The Cormorant Scarecrow

"Going through my mini DVs shot over the past decade, I rediscovered a forgotten night sequence of Chantal Akerman and Sonia Wieder-Atherton leaving a brasserie where we had dined together in Montparnasse. The excerpt stayed with me for a while. This prompted me to focus on Chantalâs sound work in her films and her very close collaboration with cellist, Sonia Wieder-Atherton with whom she made more than 20 films. And, since New York, Paris and Moscow were places the three of us had in common, I intertwined some of my images with hers."










