Cradle to Grave

Timid 14-year old 'Baduday' develops a crush on the new guy in their neighborhood, but he only sees her as a child. With only her best friend’s lip tint and a whole lot of imagination at her disposal, Baduday journeys on a rocky road of self-exploration and learns the awkward truths of girlhood along the way.

Clara and Hans are left-wing terrorists who have been sought by police for almost fifteen years. Their increasingly rebellious daughter Jeanne begins to pose a threat to their security when she falls in love with a boy she meets on the beach.

With noise-canceling headphones, they communicate with an inaudible counterpart. Decoupled, they move around the room and meet their surroundings. Intimate stories and needs are discussed. The personal blends into a shared portrait.

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A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.

After moving to a new city, a young French teenage girl falls in love with a boy and thinks of having sex with him, since her girl friends have already done it.

Julião is a young farm worker who, one day, contracts leprosy. Overnight, the good mountaineers that were so friendly with him refuse to see him again, and he must be by himself in the far woods. Bathing in olive oil, as suggested by an old woman, proves ineffective. Now, he becomes violent, expressing his anguish against those who expelled him from the village. Production date is 1975. Had its first major public release in 2009, at MotelX, Lisbon's International Horror Film Festival in the section "Lost Room". The movie was suggested to the MotelX production by the portuguese director António Macedo who knew about the existence of this and other portuguese movies about popular legends and myths of the portuguese imaginary. The movie was archived and conserved by the portuguese Cinematheque.

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After long absence, a man returns to his hometown only to find his best friend has become an alcoholic.

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An Editor recounts the diaries of a failed film production as they attempt to construct a new narrative from the remaining footage.

Spain, early 20th century. As a child, Leocadia Cantalapiedra was dazzled by a new art: cinema; but she lives in a society where directing films is something only men can do.

Boris Buzančić plays an idealistic young doctor who is assigned a nearly deserted village. The backwards residents at first resent Buzančić's new-fangled methods. Gradually, he proves his worth and wins their confidence. The clincher comes when Buzančić rids the community of a despotic villain.

A view of the religious tensions between Muslims and Buddhist through the portrait of the Buddhist monk Ashin Wirathu, leader of anti-Muslim movement in Myanmar.

A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.

During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.

A day in the life of Annie, Boo and Carmen, three Chinese/Taiwanese girls living in Paris during the Covid -19 pandemic, presented in a triptych split screen.

During a writing slump, playwright J.M. Barrie meets a widow and her four children, all young boys—who soon become an important part of Barrie’s life and the inspiration that lead him to create his masterpiece. Peter Pan.

In 1924, Oskar Matzerath is born in the Free City of Danzig. At age three, he falls down a flight of stairs and stops growing. In 1939, World War II breaks out.

From our window one can see a set of the film The Green Years, directed by Paulo Rocha in 1963. This was our starting point: guided by Rocha's gaze, we look back at the places of that film. The successive geological, urbanistic and social strata of Lisbon, besieged by the pandemic that interrupted the shooting, are drawn out in front of our camera, like a contemporary jazz impro from a score written in 1963.