Dialogues des Carmelites

A look at the life and music of legendary singer and civil rights activist, Mavis Staples.

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Semyon Bychkov conducts a cast of young, up-and-coming talent including American soprano Corinne Winters in a new production of Mozart’s opera on the nature of love.

Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.

Soundstage: Robert Plant and the Strange Sensation is the first live DVD by Robert Plant and the Strange Sensation, featuring a performance filmed for the Soundstage television series in Chicago on September 16, 2005, in addition to bonus features from prior to the founding of the Strange Sensation 1. "No Quarter" - 2. "Shine It All Around" - 3. "Black Dog" - 4. "Freedom Fries" 5. "Four Sticks" - 6. "Tin Pan Valley" - 7. "Gallow's Pole" - 8. "The Enchanter" - 9. "Whole Lotta Love"

The Shadows long and influential career has spanned 6 decades, with hit singles or albums in every one of them. Hank Marvin's guitar playing has been an inspiration to hordes of guitarists down the years, including the likes of Brian May, Eric Clapton and Pete Townshend. Over a decade since their last tour, Hank Marvin, Bruce Welch and Brian Bennett

Exclusive, long-lost live material from rock's most iconic bands and artists, as well as original interviews with the living legends themselves, including Alice Cooper, Ozzy Osbourne, Jimmy Page, Nikki Sixx, David Draiman and more.

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Benjamin Britten’s opera of the Henry James novel. An inexperienced governess is sent to a country house to care for two children, whom she is gradually convinced have been corrupted by the ghosts of a previous manservant and governess…

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.

This was Domingo's last set of performances as Otello in La Scala. In spite of his relatively advanced age, he is still in excellent form, both vocally and in terms of stage presence. Nucci is also his usual self, delivering a performance of very high standard. Barbara Frittoli is an excellent Desdemona, in good voice and gives a very moving performance. Muti conducts with great emotion and tight accuracy, conveying the full orchestral drama of the score.

In Ireland in the mid 1960s, two feuding brothers and their respective Ceilidh bands compete at a music festival.

A Ukrainian comic opera with spoken dialogue in three acts with music and libretto by the composer Semen Hulak-Artemovsky (1813–1873). The orchestration has subsequently been rewritten by composers such as Reinhold Glière and Heorhiy Maiboroda. This is one of the best-known Ukrainian comic operas depicting national themes.

Adapted from the opera written by the composer Semen Hulak-Artemovsky.

In the 1970s, Strange Fruit were it. They lived the rock lifestyle to the max, groupies, drugs, internal tension and an ex front man dead from an overdose. Even their demise was glamorous; when lightning struck the stage during an outdoor festival. Twenty years on, these former rock gods they have now sunk deep into obscurity when the idea of a reunion tour is lodged in the head of Tony, former keyboard player of the Fruits. Tony sets out to find his former bandmates with the help of former manager Karen to see if they can recapture the magic and give themselves a second chance.

This is a good video of "Figaro", but there are a couple of better ones available. The Bohm and the Pappano are better still due to the female members of the casts. The reason for buying this one is the "Figaro", Bryn Terfel. No one can top him today in that role. John Eliot Gardiner also stands out. Many of us have voiced their opinion that If the Metropolitan Opera would release it's 1998 version, that would be the one to get.

All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by James Levine and his top-flight cast. Plácido Domingo is Des Grieux, the handsome, headstrong young aristocrat who falls head over heels for the enticing, impetuous Manon Lescaut (Renata Scotto). Manon returns his love, but her obsession with luxury ruins them both. Gian Carlo Menotti’s opulent production, with sets and costumes by Desmond Heeley, superbly captures the colorful world of 18th century France.

Arabella, Op. 79, is a lyric comedy or opera in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration.

It's hard to imagine confirmed Straussians not wanting this starry Metropolitan Opera performance of Elektra. Strauss and his librettist, Hugo von Hofmannstahl, transformed Sophocles' take on Homer's tale into a harrowing opera noir. Elektra lives for one reason, to kill her mother, Klytämnestra, and her stepfather, Aegisth, the murderers of her father, Agamemnon. In contrast to Elektra's vengeful obsession, her sister Chrysothemis desires to get on with life. When their long-missing brother, Orestes, returns to do the deed, Elektra celebrates with a dance of death and, her sole purpose in life fulfilled, dies. Strauss joined the hermetic plot to music of the utmost opulence, violent and yearning by turns, evoking the cardinal principles of Greek tragedy - pity and terror.

An unprecedented collection by Afrobeat legend Femi Kuti, Live At The Shrine includes both a concert film/DVD documentary and a live concert CD, singularly conveying the beauty and joy of Afrobeat music – a combustible cocktail fusing jazz, funk, and traditional African music – while also communicating it’s fascinating roots and politics which began with Femi’s father Fela Kuti, the creator and godfather of Afrobeat. Live At The Shrine takes place in the Kuti family’s hometown of Lagos at the Africa Shrine, where every Sunday Femi plays to a packed house of revelers. With music as his weapon of choice and the Africa Shrine a temple of protest song, Femi continues his father’s fight, railing against the corrupt Nigerian government and staunchly defending PanAfricanism. Capturing this experience through interviews, street scenes, and the music itself, Live At The Shrine captures the spirit, passion, and hope, of a man and a people who are fighting.