9/11 Simulation in Roblox Environment

"Plasforms" is above all a visual composition, the relevance of the camera's absence, continuing in its time the plastic tradition of seeing. It is the exposure of the digital medium itself, a choreography of ghost images mechanically imitating the artificiality of a process.

Desperate to lose weight, Chloe stumbles upon an infomercial for "MagicSlim," an all natural herbal supplement that promises effortless weight loss. Ignoring the strange warning about lighting accompanying candles, she eagerly drinks the smoothies, only to wake up dramatically thinner overnight. As the pounds melt away at an alarming rate, an eerie presence begins lurking in the shadows, growing closer each night. Unaware that she is being devoured by a sinister force, Chloe soon realizes too late that her dream body has come at the ultimate price.

This film was made out of the capture of a live animation performance presented in Rome in January 2005 by Pierre Hébert and the musician Bob Ostertag. It is based on live action shooting done that same afternoon on the Campo dei Fiori where the philosopher Giordano Bruno was burned by the Inquisition in 1600. A commemorative statue was erected in the 19th century, that somberly dominate the market held everyday on the piazza. The film is about the resurgence of the past in this place where normal daily activities go on imperturbably. The capture of the performance was reworked, shortened and complemented with more studio performances.

The French Democracy is a short film by French filmmaker Alex Chan. The film was made in the 2005 PC game "The Movies," a business simulation game that allowed users to create their own films using pre-rendered scenes and tells the story of three Moroccan immigrants in France who turn to rioting after facing different forms of discrimination. The film was made as a response to the 2005 French riots which resulted from the deaths of two young boys who were electrocuted while hiding from police in a power substation. The civil unrest called attention to racism in France and abusive policing tactics. On its release, The French Democracy sparked controversy in mainstream media both as a political statement and as an example of the then-emerging Machinima genre tackling mature, political themes.

This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.

A girl who always found comfort in tomorrow.

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

Abstract video art by John Sanborn and Dean Winkler. Dedicated to Ed Emshwiller.

Click for full movie details & trailers.

Wido is a game to help young teenagers discover Norse Mythology. It is played on a tablet with a connected smartphone used as a controller.

Ryo Hazuki finds himself seeing his father Iwao die at the hands of a mysterious Chinese man named Lan Di, who also steals an item Iwao had called the "Dragon Mirror". Ryo makes it his mission to get revenge on Lan Di, but first he has to find out how to find him, with the warhouse docks & the Mad Angels gang being his best leads.

Increasingly disturbed by the dark energies building within him, Ryu is confronted by Shun, a boy claiming to be the brother he never knew. But before Ryu can consider whether Shun's timely appearance might be more than coincidental, Shun is kidnapped by Shadowlaw. To recover Shun, Ryu must undertake the ultimate journey of self-discovery and learn to control the power threatening to consume him.

Furio’s Furious Fragments & Friends - Furio Jesi (1941 Turin -1980 Genoa), enfant prodige moving between a plethora of disciplines – egyptology, history of religions, German philology, literary criticism - passed away prematurely, not without leaving bright fragments which throw light on mechanisms beneath many socio-cultural practices, for instance regarding cultural belonging, the functions of myth in modern society. He saw kind of “mythological machines” at work underneath our cultural production of meanings, historically determined, departing from a void, something that is still in culture but as residue, a missing link to an alleged authentic experience nowadays compromised up to the point to became just rhetoric, a byword, which is in no way neutral, but a tool, a macchina, for maintaining the status quo and serving the power apparatus. As in the case of holidays, celebrations and festivals.

Video art body horror short film.

A lone passenger is reflected in the windows of a train crawling through layers of textures towards Minsk. During his absence, the city has not changed: all the streets are frozen, long-gone voices can be heard in the empty rooms and around the corner you can find yourself in a video game from your childhood.

Click for full movie details & trailers.

When Scooby and the gang get trapped in a video game created for the gang, they must fight against the 'Phantom Virus.' To escape the game they must go level by level and defeat the game once and for all.

Zane is a deep space scout exploring the unknown in his two-legged vehicle, the PROBOID. He’s utterly alone except for an emergency chat channel filled with viewers spamming his only lifeline with expired memes, emote spam, and shoutout requests. Will any of his fellow scouts find him?