Brain Dead

Dancers, shown in photographic negative, perform a series of ballet moves, solos, pas de deux, larger groupings. The dancers glide and rotate untroubled by gravity against a slowly changing starfield background. Their movements are accompanied by music scored for a small ensemble of woodwind and percussion.

Five more-or-less distinct sections, all featuring "Freak" Orlando, a woman played by the late Magdalena Montezuma, who appears in various guises and deformities throughout.

This psychedelic horror short inspired by vintage cinema follows a raped girl's descent into derangement and makes the audience feel as claustrophobic as the character.

A film-parable about the eternal movement of mankind from the Stone Age to self-destruction.

A visual daydream of a late afternoon swim in the waters of a summer in Sicily.

A lonely spinster's failed attempt at arranging flowers summons an ominous shadowy figure who sends her into a psychedelic netherworld to confront her own mediocrity.

The last film prohibited by Francisco Franco. Jean-Marie Buchet plays the role of a collector of used tampons in this avant-garde comedy-adventure film.

A series of short films by Richard Kern: Stray Dogs, Woman At The Wheel, Thrust In Me, & I Hate You Now.

Budapest, 19th century: Nosferatu is killed by a prince. Now in colour and on holiday in Brazil, he saps several natives.

James Fotopoulos’ first feature film is a two and half hour endurance test about a lonely man’s decent into horror, mutilation and psychological collapse. The lines of reality and fantasy blur when the man’s hand-tinted primordial dreams of humanoid sex and violence manifest in his everyday reality as cancer, abuse and mannequin love.

The Dead Man returns, but it's too late to save us. We are already dead.

A meteorite, strange vegetation, a colour: an experimental take on H.P. Lovecraft's spiral into madness, shot with a vintage camera on truly unique LomoChrome 16mm film.

F.M. discovers that different sonic frequencies induce different patterns of behaviour in listeners, first in his own studio but later in the local "H-Burger" restaurant where the passive muzak appears to be wiping people's emotions.

Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.

Simplistic drawings portray the myths and rituals of the ancient Moche civilization as interpreted by the filmmaker from the artwork on Moche pottery, inspired by Donnan McClelland's "Sex and Death."

Shows a couple (Adam and Eve) and various objects, simultaneously, in time, space and movement.

The film shows an event immediately preceding and following an act of extreme violence.

An experimental film, Kano Vision explores the variety of ways in which one man tries to suppress his homosexuality. No matter what he tries or to what extremes he put himself, he cannot seem to "cut out" his desire for men. Is the need embedded into his brain? How desperate is his quest for freedom? Is he so desperate that he will consider literally removing his brain? Can a man change his nature?

Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ's image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive "civilizing" brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.

This film tell us about intricate attitudes in male collectives on navy. The film bore in poetical form with respect for differently minded heroes.