The Seen and Unseen

Juno, an ordinary man, always feels insecure because he has a beautiful girlfriend, while Trish, a beautiful woman, is always played by men. They never expected to meet in a place full of wonders, a place that would determine their love lives, in a lucid dream.

A kid who is the son of pabaruak (owner of coconut picking monkey) is trying to get rid of a monkey, which is to blame for the bullying he has faced

Toni, Aghi, Bubu, and Saras get the task of making essays. They create a free school for street children but they chose to earn money than learn.

In the living room, RAMA (33), is painting the bottom of the wall which is full of TARA (6) crayon scribbles which resemble the shape of a ship with simple lines. JINGGA (30) is ironing her school uniform and feeding Tara who is busy drawing a boat in a drawing book. Rama looked tired, he suggested that JIngga stop painting so that Tara wouldn't get involved in scribbling. Hearing that, Jingga promised to take care of Tara so she wouldn't do it again. Rama said he was tired when he came home from work and found the house dirty. If JIngga can't get Tara to comply, then JIngga won't be allowed to paint anymore.

A young girl leaves her Nigerian village to attend a ballet school in England. Fascinated by Tchaikovsky's Swan Lake, she dreams of performing as lead ballerina Princess Odette, but the girls in her close-minded ballet school mock her ideas of a 'black swan'.

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Back when urbanization was a new phenomenon, this film captured the aspirations desired by three young men from North Sumatera of Batak ethnicity. As the case with other regional area, people from the rural realm were convinced that their way of live is inadequate, so that they "need" to make it in the city, or bust. So Sabar, Tigor and Sahat went up and down their luck in order to find their desired "gold" in a strange land.

A remake of 1973 film of the same name. "Bulan di Atas Kuburan" is a tale of hardships in the capital city. Sahat, Tigor and Sabar ; three friends from Samosir, North Sumatra, quest after greatness whilst deperately holding on to their inner idealism.

Aisyah just graduated. She lives in Ciwidey, West Java, a religious village near a tea plantation, with her mother and younger brother. Her father had died a few years ago. She wants to be a teacher. One day, she gets a call from the foundation where she enrolled: she gets her wish fulfilled at the location that she never knows: Derok, North Middle Timor District. From the beginning she feels like a "foreigner". The local people mistake her as Sister Maria, just because she wears a veil like a sister. The people is expecting the arrival of Sister Maria as a teacher in the village. This isolated village is without electricity and cellular signals. The new environment, the different tradition and religion make Aisyah giddy. Fortunately there is Pedro (Arie Kriting) who makes the problems easy. She must face the hatred of one of his student, Lordis Defam. Through the chief, she understand that she is a Muslim who is considered an enemy by Lordis Defam who is a catholic

Sam, a fearless young girl raised outside of her Māori culture, is determined to fulfill her mission of connecting with her mountain. She hopes it can heal her from the cancer she is battling. Along the way, she meets some misfits and new kids in town, and together they journey through a difficult route, discovering the true spirit of adventure and the magic of friendship.

Scripted by four of Australia’s greatest authors (David Williamson, Thomas Keneally, Hal Porter and Craig McGregor), this quartet of carnal desires explores adultery and jealous fantasies, the end of innocence, the moral and spiritual conflicts of a priest and a nun in love. The stories define the exploration of women and the cultural upheaval of the early 70s.

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In a world embracing change, Ajeng distances herself from her Javanese roots. She explores the consequences as she grapples with the clash between tradition and modernity. "Wicanten" is a poignant reflection on the evolving dynamics of language and its profound impact on personal and cultural connections.

A young Australian reporter tries to navigate the political turmoil of Indonesia during the rule of President Sukarno with the help of a diminutive photographer.

While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.

Xiaofan, a young girl who works at a Karaoke Club, awakes one morning in a remote forest with her body covered in blood. As she struggles to find her way out, she tries to understand the drama circumstances which got her into the situation, events mainly related to her unpredictable boyfriend. She needs to make a decision that may change her life.

An illiterate village girl defies the customs of her tribe, discriminatory to women, only to become the spark of a Literary Revolution.

87-year-old Greek immigrant Koula Agiostratitis recounts how her husband Theo’s dementia diagnosis affected their six-decade-long marriage. Through Koula and her daughters, Vivian and Phyllis, we witness how their once music-filled home is transformed by what the family describes as “the longest goodbye.” This intimate portrait of love, caregiving and cultural duty reflects on how memory loss reverberates beyond the individual to reshape the fabric of family and culture.

College freshman Krishna Reddy, who has never cared for his Indian-American cultural heritage, looks forward to a new life on campus but is surprised to find that he has been assigned Indian roommates.

A married woman realizes how unhappy her marriage really is, and that her life needs to go in a different direction. After a painful divorce, she takes off on a round-the-world journey to "find herself".