Sunflowers of Nicaragua

Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.

Megacities is a documentary about the slums of five different metropolitan cities.

The Nicaraguan revolutionaries, determined to overthrow the bloody dictatorship of Anastasio Somoza, enjoyed the semi-clandestine support of the Panamanian government and popular organizations from 1974 onward. Following the Sandinista Front's victory, which toppled a dynasty that had ruled for over 45 years, General Omar Torrijos visited that sister nation to strengthen ties between the two peoples.

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Putito is a production with no specific genre, where reality and fiction blend through a testimony written by José Carlos Henríquez - a feminist activist and male prostitute who plays himself in the project. Available in a censored and uncensored version.

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Mild and meek accountant Sanford Lagelfost has been charged with embezzling $3 million dollars from Trout Industries. A decidedly mixed bag of jurors are chosen to serve on the case, including Eddie, a waiter; Rita, a high-priced call girl; Phil, a high-powered businessman; and Abby, a rabble rousing ex-hippie. When the star witness, the voluptuous Hope Hathaway, takes the stand, she startles everyone with her stories of Sanford's Lothario-esque conquests. Suddenly, the unassuming Sanford is a celebrity heartthrob and he finds himself in headlines and gossip columns across the country. Due to the case's growing notoriety, the judge sequesters the jury. And things start to get wild...

Lisa is a middle-class white woman from Toronto, Canada. She's also addicted to crack cocaine. To maintain her habit, she works as a prostitute while living in a hotel room. She's tried to get clean, but knows too well how easy it is to relapse. Meanwhile, she participates in Toronto's needle exchange program to reduce her risk.

At a public hospital in Nicaragua, Ob/Gyn Dr. Carla Cerrato must choose between following a law that bans all abortions and endangers her patients or taking a risk and providing the care that she knows can save a woman's life. In 2007, Dr. Cerrato’s daily routine took a detour. The newly elected government of Daniel Ortega, a former Marxist revolutionary who converted to Catholicism to win votes, overturned a 130-year-old law protecting therapeutic abortion. The new law entirely prohibits abortion, even in cases of rape, incest, or when a woman’s life is at stake. As Carla and her colleagues navigate this dangerous dilemma, the impact of this law emerges—illuminating the tangible reality of prohibition against the backdrop of a political, religious, and historically complex national identity. The emotional core of the story—the experiences and situations of the young women and girls who are seeking care—illustrate the ethical implications of one doctor's response.

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Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".

A ring of call girls leaves the "business" when one of them is murdered. The survivors change their names and leave town. However, they are reunited 15 years later when another one of them is murdered and the rest realize that they are all being tracked by the same serial killer.

15-year-old Elfie literally and metaphorically inhabits a no-man’s-land between the two Germanies shortly after the fall of the Berlin Wall. The film deploys a neorealist aesthetic to reinforce the difficulties confronting the girl, and by inference, Germany.

A documentary about the girls of the Mustang Ranch, a legal brothel in Nevada.

Nostalgic comic drama in which Cyril and Amos, two veterans of the Normandy landings, return to France to visit the grave of their wartime buddy. They encounter Waldo, an American on a similar mission, and the meeting sparks memories of an old girlfriend from the past. With the mysterious American lady Lisa in their wake, Cyril and Waldo decide to try and track her down.

When the revolution in Nicaragua won its victory nearly 40 years ago, the world began to dream. A young generation was taking the reins in a country of grand utopias. From West Germany alone, 15,000 “brigadists” travelled to help rebuild the war-torn country: liberals, greens, unionists, social democrats, leftists and church representatives harvested coffee and cotton, built schools, kindergartens and hospital wards. No movement has mobilised so many people. What became of the hopes and dreams of the revolutionaries and their supporters?

Halouver is a small community in the Northern Caribbean of Nicaragua. In November of 2020, two hurricanes divided the village in two and destroyed its infrastructure. Now, its villagers must decide between coming back and rebuilding their homes from the rubbles in spite of the risks that conveys or starting their lives somewhere else, leaving behind their lives in front of the sea. This documentary was made by Hora Cero.

An ex-prostitute, feeling an emptiness in her life, decides to fill it by buying a car.

Composed of stills by renowned Magnum photographer Susan Meiselas taken in 1978 and 1979 during the overthrow of the fifty-year dictatorship of the Somoza family. Written in the form of a letter from Meiselas to Karlin, it is a ruminative and often profound exploration of the ethics of witnessing, the responsibilities of war photography and the politics of the still image.

Shot in 1983–84 and focusing on the work of the Historical Institute, this film witnesses how Nicaraguans are recovering their history, the memory of Sandino’s struggle, to transform their sense of identity.