Arne Sucksdorff: Uma Vida Documentando a Vida

A medium-length documentary commissioned by the Cuenca City Council. The documentary shows an honest, sincere, although sometimes mere tourist portrait, of the lands of Cuenca and its people, without artifice or imposture, with feeling and authenticity and at the same time with marked coldness.

The carnage in Sarajevo provides the focus of this French documentary which seeks to call attention to the terrible conflict in the hopes of finally ending it. The film is divided into five parts. Each part covers a time frame ranging from April 4, 1992, the beginning of the war, to the present. The major issues that occur are three-fold. It depicts the systematic genocide of Bosnians, the silence of Western countries, and the determination of the Bosnians to resist. They refuse to be seen as victims, even though the filmmakers portray them so. Also included are the origins and political aspects of the war. It offers interviews with participants. It also reveals how the U.S. State Department censored reports about Serbian death camps.

For the first time, exclusive and never before heard audio diaries of legendary detective Lou Smit will reveal captivating insight into one of America's most notorious cold cases - the murder of 6-year-old pageant queen JonBenét Ramsey.

The true king of cocaine. At his peak he sold 2,000 kilos a week, reaped gross profits of $70 million a month, and ran an operation with over 150 soldiers to support him. In his life champagne flowed like water, trips to Vegas, New York, and Los Angeles were the norm, and $150,000 shopping sprees were nothing. At the height of Washington, D.C.'s brutal crack epidemic in 1987, there was a 22 year old man responsible for distributing 90% of Columbian Cocaine onto the city's streets. This man is Rayful Edmond III. In the media's eyes he was guilty until proven innocent, but in the streets eyes he was a hero who made it to the top. This is his story-a story of; Power, Money, Murder, Betrayal and the rise and fall of the Edmond's Empire.

The title of this documentary about Michael Kocáb alone suggests that art and politics will collide onscreen. Although this cinematic portrayal focuses primarily on the artistic pursuits of the protagonist — who reminisces with slight improvisation his years at the conservatoire and his performances with his band Pražský výběr — the film also maps his political and personal milestones and conveys his current world views and personal reflections on historical and political events. The documentary is playful and spontaneous and features dynamic shots with rock music that has stood the test of time.

A story about the unorthodox life of the groundbreaking Swedish journalist and author Ester Blenda Nordström (1891-1948). In a very restrictive time for women she travelled the world, always returning to her secret love, Carin, in Stockholm.

The film portraits the stage previous to the outbreak of the Mexican Revolution, from the end of Porfirio Díaz´ government, the social volatility, the ephemeral government of Madero and the presence of the working class in the figures of Villa and Zapata, until the signing if the Constitution of 1917. All of this through moving images, filmed during those events mainly by the Alva brothers, filmmakers of that time. Those images let us perceive the contradictory and shuddered glance of the people of that period.

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Filmed to praise the work of the Spanish Ministry of Housing in solving the problem of shanty towns in Bilbao, it was made to be viewed by General Franco and not for public screening or distribution through the NO-DO newsreel. Although the short film was commissioned by the Ministry of Housing, director Jorge Grau produced a subtly critical work.

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In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.

A day in the life of Mr. Istvan and Ms. Magdi, neighbors for many years, is narrated by the building of Budapest where both live. The walls surrounding them reveal their small passions, stories and routines.

A 12-year-old boy tries everything to join a music lovers club.

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In interviews, various actors and directors discuss their careers and their involvement in the making of what has come to be known as "cult" films. Included are such well-known genre figures as Russ Meyer, Curtis Harrington, Cameron Mitchell and James Karen.

A dialogue-free documentary on former magazine model Pandora Peaks, with narration by Peaks and Meyer.

Documentarian Jose Sanchez-Montes turns his attention towards the late Cuban musician Ignacio Villa, known throughout the world as Bola de Nieve (Snowball), with this 2003 biographical documentary entitled simply Bola de Nieve. A master pianist, Bola de Nieve was a mainstay through the middle portion of the 20th century, with his music almost omnipresent in South America cinema throughout those formative decades. With Bola de Nieve's famous statement "I'm a sad person, but my songs sound happy" in mind, Sanchez-Montes also looks at the influence of the musician's African heritage and homosexuality upon Bola de Nieve's unique musical style.

Short documentary about social and economic situation in Galicia (Spain) in 1936

Torremolinos, province of Málaga, Spain, autumn 1981. In the basement of a pub frequented by foreigners, five young self-taught people found a musical group that in less than a year conquers the charts: Danza Invisible, one of the best bands in the history of Spanish pop music, was born.