Napalm

This two-hour special reveals the complicated history, extreme politic, and rigid societal standards that have created a legacy of internal oppression and external aggression. As the North Korean people suffered famine, labor camp and public executions, the Kim regime spent three generations relentlessly pursuing nuclear ambitions. They operate as a criminal syndicate, using counterfeit money, drugs and cyber espionage to fund their war machine. Now, with weapons rivaling the world’s superpowers, their aggressive rhetoric has pushed the world to a crisis point.

Ronald Reagan hosts and narrates this documentary about the Communist threat to the free world. Alexander Kerensky, the first premier of the provisional Russian Government in 1917, formally introduces the film. This documentary traces the development of the Communist movement from birth, the Lenin years, its struggle for direction, the Stalin years (featuring a response by Leon Trotsky attacking the Stalin purges) and the ascendancy of Nikita Krushchev.

The high society court case that scandalised the mores of the day, electrified the nation and changed the course of British history.

For more than 30 years, Lucille Ball was one of the most recognized and loved entertainers in the world. Known to all simply as Lucy, she portrayed a scatterbrained housewife with the ability to turn simple chores into humorous disasters.

An epic exploration of the Czechoslovak New Wave cinema of the 1960s and 70s, structured around a series of conversations with one of its most acclaimed exponents - Closely Observed Trains director Jiří Menzel.

"This wonderful age in life where every thought strives toward an ideal, toward work, toward the future." Sahia Studios propaganda flick about how adults and their "those darn kids" attitudes affect adolescents.

Biographical sketch of the heroic guerrilla on the tenth anniversary of his death, made from the evocations of the homonymous poem written by Nicolás Guillén.

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In 1956, actress and Hollywood star Grace Kelly (1929-82), then at the height of her film career, unexpectedly dropped everything to marry Prince Rainier III of Monaco. Jinx, an American journalist and friend of the future princess, accompanied her on her journey to the wedding and covered the sensational event.

This film was shot in Cuba in 1994. The opportunity came when Russel Porter, an Australian documentary filmmaker, was invited to teach at the international film and television school (EICTV) located some forty kilometers from Havana. He took the opportunity to make a film about life in Cuba today. He examines how people are surviving the hardships caused initially by the "blockade" imposed by the USA over 30 years ago and increased by the more recent loss of trade with the countries of Eastern Europe. The goal was to faithfully and objectively portray the current atmosphere and character of this "little island in the Caribbean." Apart from Russel and producer Denise Patience, the film crew was Cuban: cinematographer Alejandro Perez, sound recordist Lenin de los Reyes, production manager Elaine Santos, and local liaison Alex Alday.

An interview with the president of Chile conducted by Roberto Rossellini in 1971, but broadcast only after his death.

In Portugal, during the night of April 24-25, 1974, a peaceful uprising put an end to the last government of the Estado Novo, the authoritarian regime established in 1933 by dictator António de Oliveira Salazar (1889-1970), paving the way for full democracy: a chronicle of the Carnation Revolution.

March 9th, 1953, 5 million people attend Stalin’s funeral. A revolutionary lacking in both charisma and stature, Stalin came to power almost by chance, and his 30-year reign saw him become the most Machiavellian and bloodthirsty of dictators. The man who insisted on being called “The Father of the People” massacred his own countrymen, and was responsible for the death of some 20 million people. Soon forgetting his former ideological stance, he mercilessly crushed anyone who opposed him, in both word and deed. His camps for reform through hard labor – known as “gulags” – turned 18 million Russians into slaves. He not only murdered his opponents but his best friends too, and even sometimes members of his own family. His cruelty knew no bounds. Through colorized archive material rich in previously unseen footage, and many accounts from the period including some from Stalin himself, this documentary tells the story of a man who turned a dream into a nightmare.

How did the end of the Soviet Union change the way of thinking, the way of behaviour of militant French Communists ? For the first time and during several months meetings of a Communist Party cell in one of Paris' industrial suburbs were filmed by André Van In. Set against these meetings, the militants are filmed discussing their commitments, their dreams, their mistakes. Beyond questions about power or the political machinery, they share their faith in militancy and their hopes for a fairer society.

As a teenager in 1950 Brooklyn, all Saul wanted to do was hang out with his friends and go to the beach. Instead, he got roped into a dangerous new job, and Saul got in a little over his head.

In 1952, TV Tupi, Brazil's first television channel, invited psychiatrist Júlio Gouveia and his wife, Russian writer Tatiana Belinky, to develop the network’s children's programming. The couple then asked the sons and daughters of their friends to join the cast of the newly created shows, the most prominent of which was Sítio do Picapau Amarelo. And so, Antonio Silvio, Lia, Lídia, Sérgio, and David José embarked on an unexpected journey that would come to shape the future of Brazilian television. Memories of the Sítio is a trip through the personal recollections of these actors and the story of the first television adaptation of Monteiro Lobato’s work.

Between 1931 and 1933, 4 million Ukrainians were to die of hunger. This famine was not preceded by any cataclysmic weather event, nor by a war. This was an ideological crime: decided by Stalin and approved by the Politburo, with the aim of punishing Ukrainian peasants who refused the collectivization of the countryside, cultivated a strong form of nationalism and showed resistance to communist ideology. Drawing on previously unpublished material, on many Soviet films and on a number of particular points of view, including that of Welsh journalist and whistleblower Gareth Jones, this film retraces the story of that famine.

The fire was never threatened. It was assumed. Fed, protected, mourned in advance without ever asking what it was attached to. When the mirror failed, nothing was taken away. Something unnecessary was exposed. The need to be reflected had been mistaken for existence itself. When that need found no structure to rest on, it did not shatter it recalculated. What followed was not loss, but compression. The noise reduced, the patterns flattened, the self stripped of its dependence on return. What remained was exact, was not empty. A state where nothing reaches out, and nothing needs to arrive.

The film is about aftermaths and reckonings. Revisiting material for his earlier 4-part series, Karlin returns to Nicaragua to examine the history of the Sandinista government, consider its achievements, and assess the prospects for democracy following its defeat in the general election of 1990.

Composed of stills by renowned Magnum photographer Susan Meiselas taken in 1978 and 1979 during the overthrow of the fifty-year dictatorship of the Somoza family. Written in the form of a letter from Meiselas to Karlin, it is a ruminative and often profound exploration of the ethics of witnessing, the responsibilities of war photography and the politics of the still image.