Faces Places

Four French museums, the Louvre, the Quai Branly, the French National Library, and the Rouen Museum, are faced with pressing demands for the return of works of art. The number of demands is multiplying. They come from all over the world, and in particular from Egypt, Mali and New Zealand. The question of returning works of art to their countries of origin is increasingly making news. Take for example the emotions aroused by President Sarkozy’s decision, on the 12th November 2010, to return 297 royal manuscripts to South Korea. The ensuing row involved diametrically opposed points of view. Was it a violation of the principle of inalienability of France’s national collections or was it a just reparation for the victims of colonization? The rich countries’ great museums and the countries of origin have completely different visions of the issue. The museums defend the idea of a universal museum whose works belong to the whole of humanity.

In 1985, the artist Ana Mendieta fell naked, thirty-four floors, from the window of her apartment in New York City. The only person with her at the time was her husband of only eight months, the renowned sculptor and art world celebrity, Carl Andre. Was her fall an accident, suicide or murder? "BloodWork' is the first film to address this controversial subject.

The film is based solely on footage shot in Warsaw in 1939 by Julien Hequembourg Bryan. This American filmmaker and photographer documented life in Poland, the Soviet Union and Nazi Germany between 1935 and 1939. Following the outbreak of the Second World War, he arrived in Warsaw, where he shot a number of films documenting the city under siege, and is said to be the only foreign correspondent in the Polish capital at the time. Bryan also took the first colour photographs of wartime Warsaw.

Four Brazilian friends meet to reflect on the importance of the friendship network they built from being immigrants in Argentina. Drawn by nostalgia, they travel a sensory path to their roots and, through food and dance, they explore the challenges and satisfactions of living in another country.

Biographical account of the brilliant painter, featuring talks with Leonora Carrington during the later stage of her life in her home in Mexico.

The artistic treasures of the National Gallery of Art are beautifully explored.This video is ideal for anyone who desires a lasting portrayal of this glorious art museum.

Blind Skateboard's 2nd video since the release of the 1991 film "Video Days"

The 11th Top Gear Special is a glorious celebration of the V8 engine, or at least, it was supposed to be. In it, Jeremy Clarkson, Richard Hammond and James May take a trio of V8 powered sports cars for an epic and arduous 1600 mile road trip through the spectacular landscapes of Patagonia. Along the way they encounter swamps, deserts, forests, beaches and snowy mountain passes as the threesome and their often malfunctioning machines press on towards the southernmost city in the world and an impending game of car football. Unfortunately, that's not quite how things turn out...

For two hundred years, the Shakers have been America's most successful utopian society. While seeking harmony, order and perfection in every aspect of their lives, they built minimalistic furniture and buildings that influenced modern design. The Shakers wrote songs of exquisite beauty and danced to the point of ecstasy during their religious meetings. Inspired by this music and dance, choreographer Tero Saarinen created Borrowed Light, a dance piece about communal life and individual sacrifice. Shot in Finland and the United States, featuring interviews and excerpts from Borrowed Light, this documentary explore the cultural legacy of this religious group devoted to creating heaven on earth.

Introduces the world of painter René Magritte through an assemblage of the painter's images. Includes statements by Magritte about his intentions and anecdotes from his friends Mesens and Scutenaire.

A visual journey into the life and legacy of one of Australia's most celebrated artists, Brett Whiteley.

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

The Junk King (Vince Hannemann) gives valuable insight regarding his art and the Cathedral of Junk in Austin, TX.

This film traces the elusive trajectory of Mark Rothko (1903-1970), the American master of abstract expressionism who called his work "a pharmacy for the soul." Moving from Latvia to the US as a child, he left Yale to paint, later inspired by Italy to create his iconic color fields. Full of vibrant colors, drama, and emotion, this subtle portrait makes his legendary art shine forth.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

This film explains what James Ensor (1860-1949) meant for the development of art and makes palpable where he got his inspiration from.

Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

London, England, 2008. Some of the most distinguished experts on the work of Italian artist Leonardo da Vinci (1452-1519) gather at the National Gallery to examine a painting known as Salvator Mundi; an event that turns out to be the first act of one of the most fascinating stories in the history of art.

Two Dutch men travel to Mississippi in December 1989 in search of traditional blues musicians.