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Shows four different women who use wigs to hide and transform their repressed identities in Türkiye in the 1990s.

At 31, filmmaker Joanna Rudnick faces an impossible decision: remove her breasts and ovaries or risk incredible odds of developing cancer. Armed with a genetic test result that leaves her vulnerable and confused, she balances dreams of having her own children with the unnerving reality that she is risking her life by holding on to her fertility.

The film accompanies Jenny Gröllmann, a German actress, during the last two years of her life.

Keenly aware that his niece is going through a particularly rough time at home, Uncle James teaches Ava Dee how to use the Blackmagic Pocket Cinema Camera. As an experiment, he tells her to shoot whatever she wants and he'll edit it into a film.

Featuring Tony Robbins and Melissa Ethridge, Tri Me follows two-time Triathlon World Champion, four-time Hall of Fame inductee, and world-renowned speaker and coach Siri Lindley as she faces the greatest challenge of her life: a terminal cancer diagnosis.

When Cells Turn is a Documentary that dives deep into two powerful journeys, Belinda's battle with breast cancer and Eliza's life shaped by loss. This raw, emotional story shatters myths and reveals the urgent truth about a disease that can touch anyone, at any time.

We call them by a hundred different names: boobs, knockers, jugs, hooters. We wonder if they're real or fake, too small or too big, too exposed or too covered. And every year Americans spend millions of dollars on breast enhancement, from push-up bras to surgery. Why is our culture so captivated by this particular part of the female form? "Boobs: An American Obsession" is a revealing, humorous, often poignant investigation involving everyone from anthropologists to porn stars as we explore our culture's fascination with breasts.

Foreign Puzzle is an intimate documentary that captures the journey of an inspiring Mexican American dancer as she communicates the impermanence of life through dance while juggling the roles of a recently divorced parent of a 6-year-old, a choreographer and a primary school teacher amidst intensive treatments for breast cancer.

Charting Julia Bradbury's battle with breast cancer, following her as she comes to terms with her diagnosis and prepares for a potentially life-saving single mastectomy. Central to Julia's story is her support network, including her husband Gerard and their three children, her parents and her older sister Gina.

Marie-Philip is a PhD student and part-time professor who loves cats and Harry Potter. But one week before her 29th birthday, she is diagnosed with breast cancer. For a year, without false modesty, we follow her through each step as she confides in us with shocking honesty. An ode to life, to courage and to the resilience of all those who fight every day against disease.

I WANT SO MUCH TO LIVE explores the pioneering efforts of Genentech and the many individuals who came together to develop Herceptin, the world's first 'targeted therapy' for breast cancer.

A fragmented documentary portrait of Sammy, an adult with undiagnosed autism growing up in Jersey. Through cut-up interviews, island landscapes and black-and-white experimental sequences, PooBrain explores family, stigma, illness, friendship and the quiet ache of being misunderstood.

In 2017 I was diagnosed with breast cancer, I decided to film my time in waiting rooms, surgery and chemotherapy. Shot exclusively on the iPhone X, The Waiting Room is an unflinching portrait of the blood, sweat and tears of cancer treatment. At home I filmed with my teenage son, as we came to terms with how family life was transformed by a year of living with cancer. The Waiting Room challenges the cultural myths that surround this disease, putting under the microscope the language of illness. The Waiting Room documents illness from a patient’s POV, exploring what we can and what we can’t control when our bodies fail us. The Waiting Room 30 minute smartphone short was broadcast on The Guardian website as part of their documentaries strand.

An intimate documentary that follows Tig Notaro, a Los Angeles based comedian, who just days after being diagnosed with invasive stage II breast cancer changed the course of her career with a poignant stand-up set that became legendary overnight. It explores Tig's extraordinary journey as her career ignites and as her life unfolds in grand and unexpected ways, all the while continuing to battle a life-threatening illness and falling in love.

Intended as an account of Minogue's return to the stage following her recovery from cancer, the film features on-stage and back-stage footage and interviews with several of Minogue's tour crew, including the director, William Baker. Kylie's sister Dannii and U2 lead singer Bono are also featured.

Self-portrait of a 38-year-old mother from Abitibi, struggling with breast cancer.

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A profound look into the BRCA world examining what it is and how this mutation puts both women and men at a higher risk of developing numerous cancers.

Breast cancer has become the poster child of corporate cause-related marketing campaigns. Countless women and men walk, bike, climb and shop for the cure. Each year, millions of dollars are raised in the name of breast cancer, but where does this money go and what does it actually achieve? Pink Ribbons, Inc. is a feature documentary that shows how the devastating reality of breast cancer, which marketing experts have labeled a "dream cause," becomes obfuscated by a shiny, pink story of success.

This film was made with £500, a super 8 camera and a lot of heartbreak. I’ve known my mum was dying for sometime now and been completely paralysed by it. Should I cry? No, because I’ll never stop. Do I try to fix it? No, because filmmakers can’t cure a terminal illness. Do I run away? No, one cannot abandon what is already within. Nothing led me through the pain to an answer. To a solution. But how can you live with a leaking heart? I realised I had to metabolise the grief through processing. So I picked up my camera and got to work. This film is the fruit of that process. It is a straight 8, meaning it was made with one roll of 8mm film, no editing. The sound design was completed separately, without ever seeing the digitalised film. Like grief it’s clunky in places, too clean in others and I wish I’d had longer. I wish we could always have longer.