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Circuit bent gain controller run into a CRT TV

Science fiction is a rare genre in the otherwise rich and diverse history of Egyptian mainstream cinema. One exception is the film "The Master of Time", directed by Kamal El Sheikh in 1987. In this film, the main character, a scientist named Mr. Kamel, is obsessed with the idea of immortality. Through radical editing, Lebanese artist and filmmaker Rania Stephan captures the quintessence of this obsession. In her film, she eliminates all fictional elements from the original and retains only the transition shots featuring doors, gates, and all forms of crossing and passing through.

An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.

Sam, a shy young man, finds himself in a slow-motion world. Trying to restore the time, he fails. The circumstances bring him to rescue his coworkers, and Nathalie, the girl he secretly loves.

A story of broken humanity following the invasion of a technologically superior alien species. Bleak, harrowing, and unrelenting, the humans must find enough courage to go on fighting.

Visit He visits a city. The city already forgot him. The city is still sinking in his dream. The flicking segments of real life and illusion. Only the lighthouse has his memory. But the memory will may be vanished.

A computer program named A.D.O.M tries to create a living being that will help to release both of them from their void. This film was created exclusively with stock video and royalty free music. Stock Elements from pixapay.com Music from filmmusic.io "The Descent" by Kevin MacLeod (incompetech.com) License: CC BY (creativecommons.org/licenses/by/4.0/)

ANA is: a) An investigation of a cyber-sect linked to the disappearances of several women online. b) A moodboard of the aesthetization of self-destruction. c) A found footage documentary about today's subcultures.

A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.

Poetic sci-fi film as an homage to Cinema, Cocteau, Goodis and to American B-series of the 1940s. Constructed exclusively on photograms in black and white and freely inspired on Jean-Luc Godard's Alphaville.

Europe, 2028. A humanlike creature washes ashore, carrying with him a motionless body he calls his mother. He is on a mission of some kind, reporting on the dwindling human activity in an increasingly automated world.

The image pans slowly around a coastal moor, a neighborhood of silent villas and empty streets, a forest path in fading summer light. There are no witnesses to tell the stories of how it all ended. All manifestations of human activity have ceased, giving way to the crackling and bustling of nature. In this world, which at first seems only to reflect a recent emptying, black things move about, as if dying echoes of a cataclysm too terrifying to narrate.

The last woman on Earth: Filmed inside Biosphere 2 in Arizona, Urth forms a cinematic meditation on ambitious experiments, constructed environments and visions of the future. The film considers what an endeavor such as Biosphere 2 might mean today and in the near future, in terms of humankind’s relationship with the natural world.

A short film recounting the travels of a lonely astronaut confronted by the unknown. Unfolding as a mystery, it becomes a carefully subtle, autobiographical examination of the feeling of loneliness and the existential issue of not understanding life on earth and ones place among it.

In Germs, female stereotypes, pseudoscience and promised happiness clash with violent consequences.

Computer programmer/beekeeper Jacob gets a "television" implanted in his brain by a race of telekinetic bees, which causes him to experience severe hallucinations.

A non-narrative visual short film made on 8mm Cassette Tape.

Experimental short overlays footage of buildings and fields with that of a spiral galaxy.

Legendary Reality is a science-fiction essay film that portrays the recollections of a solitary narrator imprisoned in his own mind. Using a non-linear structure that weaves together dreams and memory, Jon Rafman creates a stream-of-consciousness meditation on art, identity and time that draw on the work of Leonard Cohen. The film intercuts digitally processed found photos and 3D landscapes sourced from video games to tell the enigmatic voyage of one man's soul.

Artist Statement: "Lovesick" is an abstract analysis of idealization, objectification, and the Other; a dark fantasy peering into how we view and explore the complex darkness of human sexuality.