Extranjeros de sí mismos

A medium-length documentary commissioned by the Cuenca City Council. The documentary shows an honest, sincere, although sometimes mere tourist portrait, of the lands of Cuenca and its people, without artifice or imposture, with feeling and authenticity and at the same time with marked coldness.

In 1943, while the Allies are bombing Berlin and the Gestapo is purging the capital of Jews, a dangerous love affair blossoms between two women – one a Jewish member of the underground, the other an exemplar of Nazi motherhood.

The carnage in Sarajevo provides the focus of this French documentary which seeks to call attention to the terrible conflict in the hopes of finally ending it. The film is divided into five parts. Each part covers a time frame ranging from April 4, 1992, the beginning of the war, to the present. The major issues that occur are three-fold. It depicts the systematic genocide of Bosnians, the silence of Western countries, and the determination of the Bosnians to resist. They refuse to be seen as victims, even though the filmmakers portray them so. Also included are the origins and political aspects of the war. It offers interviews with participants. It also reveals how the U.S. State Department censored reports about Serbian death camps.

The ideologies underlying the foundation of modern Israel are explored in this documentary, the third of a trilogy (created over a twenty year span) exploring the Jewish experience. The two earlier documentaries, "Porquoi Israel," and "Shoah," have had great effect on the ways documentaries are produced. "Tsahal" zeroes in on the crucial role of the military in Israeli society and politics. The film uses many in-depth interviews to present the many feelings and thoughts about the Israeli military.

The Polish city of Łódź was under Nazi occupation for nearly the entirety of WWII. The segregation of the Jewish population into the ghetto, and the subsequent horrors are vividly chronicled via newsreels and photographs. The narration is taken almost entirely from journals and diaries of those who lived–and died–through the course of the occupation, with the number of different narrators diminishing as the film progresses, symbolic of the death of each narrator.

In 1944 Poland, a Jewish shop keeper named Jakob is summoned to ghetto headquarters after being caught out after curfew. While waiting for the German Kommondant, Jakob overhears a German radio broadcast about Russian troop movements. Returned to the ghetto, the shopkeeper shares his information with a friend and then rumors fly that there is a secret radio within the ghetto.

For the first time, exclusive and never before heard audio diaries of legendary detective Lou Smit will reveal captivating insight into one of America's most notorious cold cases - the murder of 6-year-old pageant queen JonBenét Ramsey.

The life of the famous French writer Alexander Dumas the Elder. Screenwriter Jaroslav Dietl did not hide his admiration for this literary giant, and in addition to the screenplay he also wrote a three-part TV play about Dumas (starring Vladimír Menšík). In Kachyn's film, Dumas played the father and son of the Štěpánková brothers, and it was a very difficult and difficult task for these young actors.

The true king of cocaine. At his peak he sold 2,000 kilos a week, reaped gross profits of $70 million a month, and ran an operation with over 150 soldiers to support him. In his life champagne flowed like water, trips to Vegas, New York, and Los Angeles were the norm, and $150,000 shopping sprees were nothing. At the height of Washington, D.C.'s brutal crack epidemic in 1987, there was a 22 year old man responsible for distributing 90% of Columbian Cocaine onto the city's streets. This man is Rayful Edmond III. In the media's eyes he was guilty until proven innocent, but in the streets eyes he was a hero who made it to the top. This is his story-a story of; Power, Money, Murder, Betrayal and the rise and fall of the Edmond's Empire.

The title of this documentary about Michael Kocáb alone suggests that art and politics will collide onscreen. Although this cinematic portrayal focuses primarily on the artistic pursuits of the protagonist — who reminisces with slight improvisation his years at the conservatoire and his performances with his band Pražský výběr — the film also maps his political and personal milestones and conveys his current world views and personal reflections on historical and political events. The documentary is playful and spontaneous and features dynamic shots with rock music that has stood the test of time.

After marrying a successful Parisian writer known commonly as Willy, Sidonie-Gabrielle Colette is transplanted from her childhood home in rural France to the intellectual and artistic splendor of Paris. Soon after, Willy convinces Colette to ghostwrite for him. She pens a semi-autobiographical novel about a witty and brazen country girl named Claudine, sparking a bestseller and a cultural sensation. After its success, Colette and Willy become the talk of Paris and their adventures inspire additional Claudine novels.

A story about the unorthodox life of the groundbreaking Swedish journalist and author Ester Blenda Nordström (1891-1948). In a very restrictive time for women she travelled the world, always returning to her secret love, Carin, in Stockholm.

On April 30, 1945, while the Russian Army surrounded Berlin, Hitler committed suicide in his bunker. His body was discovered a few days later by the Soviets. He would be positively identified after a top secret inquest in which Hitler's personal dentist would play a central role. And yet, at the same time, Stalin publicly declared that his army was unable to find the Führer's body, choosing to let the wildest rumors develop and going so far as to accuse some of his Allies of having aided the monster's probable escape. What secrets were hidden behind this dissimulation? What happened then to the two ladies involved in the identification of Hitler’s body?

The film portraits the stage previous to the outbreak of the Mexican Revolution, from the end of Porfirio Díaz´ government, the social volatility, the ephemeral government of Madero and the presence of the working class in the figures of Villa and Zapata, until the signing if the Constitution of 1917. All of this through moving images, filmed during those events mainly by the Alva brothers, filmmakers of that time. Those images let us perceive the contradictory and shuddered glance of the people of that period.

A true-story account of a German businessman who saved more than 200,000 Chinese during the Nanjing massacre in 1937-38.

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Paris, 1884. Bella Fontanges, a renowned ballerina, is married to Georges de Segar. But after just a few years together, the couple slowly sinks into weariness. Bella has forgotten what happiness used to taste like. Then a mysterious squire appears. Aware of the couple's faltering situation, he makes Bella and Georges a most astonishing proposal: he claims to be able to separate Good from Evil in Georges. Reluctant at first, the couple eventually agrees to play along. But it's not long before they realize that in Georges, it's Evil that has prevailed.

Filmed to praise the work of the Spanish Ministry of Housing in solving the problem of shanty towns in Bilbao, it was made to be viewed by General Franco and not for public screening or distribution through the NO-DO newsreel. Although the short film was commissioned by the Ministry of Housing, director Jorge Grau produced a subtly critical work.

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In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.