Permanent Shadows

Grappling with the burden of loss, a drifter becomes engulfed in the reckless lifestyle of a group of bohemians. Through a series of events, he is forced to confront his trauma as his haunted past and unconventional present collide.

A young medical student struggling to pay tuition is drawn into the shady world of underground body-modification.

A cri de coeur against Iraq War I from writer-director John Gianvito (Profit Motive and the Whispering Wind).

A reworking of the myth of Hippolytus, in which a chaste youth rejects the incestuous advances of his mother and is saved from death by a caring physician.

A slow-burning prairie grotesque. On the grounds of a rural sanitarium, three young women search for wellness, as a cult leader seeks to control their bodies through labor and daily rituals.

Bass takes over the upstairs Kanter-McCormick Gallery at the Art Center, expanding the territory of her gothic world in a new work The Latest Sun is Sinking Fast, an immersive, multi-channel installation incorporating 16mm film/video, sound, architecture, and featuring performances by Sarah Stambaugh, Bryan Saner, and Matthew Goulish. The solo exhibition features a spatial narrative installation that delves, through movement, texture, sound, and gesture, into the psychology of a recurring figure in Bass' previous films; while also introducing two new characters, blending the past into the present. Bass has designed the installation by altering the gallery, leading the viewer through a evocative memory of place, embedding us in a timeless society of lost souls in a haunted landscape. -Allison Peters Quinn, Exhibition Director, Hyde Park Art Center

About Lauri, and through him the story of other victims of both school bullying and a separate childhood trauma: victims full of white rage, which may lead to school shootings and other extreme acts of violence. The film is also about our society: a society without sufficient understanding or desire to address the emergence of school violence.

Experimental short film that explores the feelings of 17-year-old Li Xia who searches for purpose and intimacy while trapped in Diyu, or "hell" in Chinese mythology.

André's Eyes is an experimental docudrama in which the actual family members themselves participate in the recreation of their own story. Set in a small village in the Portuguese countryside, the film follows the struggle of a divorced father to keep his family together after his youngest son is taken away from them and placed in a foster family.

(…) To go to the other side, she builds a night vision, from those whom make the dead alive. A vision that has the makings of a dream, which makes the invisible visible: Orpheus falls asleep and allows the cinema to be.

When a poor college student who cracks an online poker game goes bust, he arranges a face-to-face with the man he thinks cheated him, a sly offshore entrepreneur.

An instant in the memory of landscape: the smuggling that for centuries crossed the line between Portugal and Galicia. The Gerês Mountains knows no borders, and rocks cross from one country to another with insolence. Smugglers also disobey this separation. The rocks, the river, the trees: silent witnesses that help them to hide. They just have to wait for the night to cross the distance that separates them.

In the future, a second great flood covers most of the known world. Country borders collapse and language barrier disappear. All salvageable books are taken to a deep underground vault facility for protection. Run by priests, the facility is called The Stacks. As Olivia wanders the facility she discovers that she may not be alone and that a dark part of her past may have followed her into the narrow corridors of this inescapable purgatory.

A master and his student visit a mountain to practice pansori (a musical storytelling performed by a singer and a drummer) after a music competition which outcome has left the trainee disappointed.

“A portrait of Carla Liss, evoking the atmosphere of the old horror films we both loved.”

Men and dogs move dreamily through a room. In this hostile environment, their attitudes and reactions lead to irritated moods.

Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known existing version is not Markopoulos’s edit and contains additional titles, music and voice-over added later than 1961. 65 minutes.) Filmed in Mytilene and Annavysos, Greece, 1958. Existing copy on video, J. and M. Paris Films, Athens.

Wax and wane until there is naught but boring pain.

Lines align during acclimated apexes, shadowy vertices, and bright burrows.

Five high school students from different walks of life endure a Saturday detention under a power-hungry principal. The disparate group includes rebel John, princess Claire, outcast Allison, brainy Brian and Andrew, the jock. Each has a chance to tell his or her story, making the others see them a little differently -- and when the day ends, they question whether school will ever be the same.