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A delusional young woman mourning the loss of her cat receives a visit from an unexpected visitor.

Dancers, shown in photographic negative, perform a series of ballet moves, solos, pas de deux, larger groupings. The dancers glide and rotate untroubled by gravity against a slowly changing starfield background. Their movements are accompanied by music scored for a small ensemble of woodwind and percussion.

“Faust Part 2” reveals the modern Faust in a romantic interlude, an idyll (from the Greek idein, "to see"); also, a journey of the id. A sense of story is inferred through the complex interweaving of human gesture, expression, and bodily movement within vibrantly shifting colours and rhythmic development, creating multiple levels of metaphorical meaning. A collaborative work with paintings by Emily Ripley and soundtrack by Joel Haertling.

"A Motion Selfie" is one-of-a-kind DIY filmmaking: a darkly comic chronicle following a year in the life of a washed-up viral video star and the sexually depraved stalker who becomes obsessed with his work.

Car crashes are instant art and sculptures made in seconds. At least to a certain Buenos Aires photographer, who spends his nights driving through the city in search of capturing the perfect accident. Meanwhile, another man is trying to find a legendary cock sucker who hides somewhere in the dark rooms of a gay sex club. Accidentes Gloriosos tells nine different stories of death and transformation. From the man who undergoes a heart transplant and wakes up with new and strange artistic powers, to the woman who receives a last letter from her husband, written just before he freezes to death in one of history s most dramatic polar expeditions.

The idiot puts himself in the dirt and a way of life behind him. A new economic reality suggests he collect a pension on feigned retardation but sometimes truth veers absurdly close to fiction. He huffs glue and loses himself in the crawl of time.

This psychedelic horror short inspired by vintage cinema follows a raped girl's descent into derangement and makes the audience feel as claustrophobic as the character.

A young woman is left stranded in an abandoned industrial building, bound by 16mm film. Meanwhile, an angel roams a highway.

A film-parable about the eternal movement of mankind from the Stone Age to self-destruction.

Representation of spontaneity in the context of routine.

A man's strange obsession with dirt starts as a childhood game but eventually manifests on a surreal level.

A high school student attempting to complete his musical opus keeps getting distracted by the intense fights of his mentally imbalanced father and overly doting mother.

Korea, the now: A young man makes a fateful encounter with a stranger he passionately falls in love with. When Unk rides his scooter through the night he fails to notice a drunk pedestrian, a man called Boaz, and hits him. The accident has unforeseen repercussions since shortly afterwards Unk and Boaz start an intense relationship that leads into a gradually worsening dependency.

A lonely spinster's failed attempt at arranging flowers summons an ominous shadowy figure who sends her into a psychedelic netherworld to confront her own mediocrity.

In 1970, Tahar, a young Tunisian, travels to France for the first time to help his older brother, who is wrongly accused of murder and incarcerated in Paris. He first stops in Marseille, where he meets Tunisians very different from those familiar to him; enigmatic French people; and a strange atmosphere that makes him doubt his brother’s innocence, his own innocence and his own mental integrity.

The tragicomedy of the absurd, is based on the works of Daniil Kharms (1905-1942). Trying to recreate reality 30s, who came to the flowering of creativity Harms, the director plays the style of filming, acting at that time and enters into the picture, "the aged" sound. Thus, it is possible to achieve maximum reliability of the author's text and sound to help the viewer to immerse themselves in the atmosphere in which he lived and worked classic absurdity. This is - a world of illusions, allusions and associations, reflecting a stream of consciousness of the creator living in an era of silence.

James Fotopoulos’ first feature film is a two and half hour endurance test about a lonely man’s decent into horror, mutilation and psychological collapse. The lines of reality and fantasy blur when the man’s hand-tinted primordial dreams of humanoid sex and violence manifest in his everyday reality as cancer, abuse and mannequin love.

Life in a rural industrial town: a teenage boy, his family, friends and failed attempt at love are investigated through stark black-and-white photography and static long takes. Filmed in a fusion of authentic and staged documentation, with robotic performances by actors and non-actors, the piece meditates on the mundane existence of human and animal life.

ReZoning Love follows Violet, a twenty-something struggling with a rent increase and a low paying job, who meets a mysterious woman, D, who exposes her to a world beneath the surface of a screen.

Is all that we see or seem, but a dream within a dream?