Private Chronicles: Monologue

Using footage filmed in Peru in 1950 by a foreigner, Víctor writes a letter to his son to question the country he will inherit: among heartbeats and ruins, he searches for a hope that still endures amid disillusionment.

Chris Elliot plays FDR in his live "One Man Show" about the life and times of the president, however, he looks and sounds nothing like the man and he re-enacts events from Roosevelt's life that never happened.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."

Using a collage of found footage, this documentary essay examines humanity's conflicted relationship with fire - tracing its journey from control and mastery to destructive power, reflects on masculinity and the cost of progress and hubris.

In this meta found-footage / documentary escapade, Gavin and Alex head to Tennessee to document the premiere of their previous film, and to follow a tip that will lead them to the most liminal spaces in Chattanooga...

"CIVIL WAR SURVEILLANCE POEMS (Part 1)" is the first installment in a five-part project of experimental and hybrid-form short films contemplating a second American civil war via lyrical nonfiction, mixing call-in radio, twenty years of verité footage from the filmmaker's archive, and robots. Conceptually speculating from sixteen years in the future (and a protracted civil war), the project is partly nostalgic political travelogue, partly a quest to mine the archive for what went wrong, and part prewar surveillance records, the project deconstructs and builds to a clashing ideology, culminating in an installation of sound sculpture, four-walled video and artifacts.

Click for full movie details & trailers.

A documentary about aliens and UFOs with re-enactments of alien interviews and video of a supposedly real video of an alien being interviewed by government officials.

Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)

"In A MILLION IN DEBT IS NORMAL, SAYS MY GRANDFATHER, Gabriele Mathes traces the consequences of the decline of her father’s furniture factory via her family’s Super-8 footage(..)" (Viennale)

Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.

January 2011 : the revolution bursts in Tunisia, my father’s country. The Tunisian people scream in a rage and I, here in Paris, can feel their revolt vibrating in my heart.

The new documentary from Apprehensive Films follows eight Home Haunters in their pursuit to transform their nice suburban homes into visions of the macabre. Their obsession with Halloween has lead them to spend thousands, dedicate countless hours and resources to acheive their horrific attractions and to scare the daylights out of unsuspecting trick-or-treaters. We'll meet all sorts of different haunters from basic yard haunts to one's so extreme they go beyond their property lines. Special features include: Trailers, Spotlight on Hauntcast, Larry Scholl's Tiki Room, Alternate Opening and Behind the Scenes at Night Frights.

Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, "Goodbye to Language," at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video "Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux." The video intercuts from Godard speaking cryptically about his "path" to key scenes from Godard classics such as "Alphaville" and "King Lear" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.

One man's journey into the world of the so-called 'Bloodline' conspiracy, at the heart of Dan Brown's The Da Vinci Code, where a secret society, the Priory of Sion, claims to have guarded evidence of the marriage of Mary Magdalene and Jesus Christ, their children and their descendants down through the centuries.

A young woman's life takes a series of unexpected turns after she leaves the Buddhist temple where she has lived most of her adult life.

A collage of newsreels, trailers, clips and other visionary and unseen fragments of sight and sound regarding the late plastic artist Helio Oititica.

A look at the various modes of transportation made for the Expo '86 World Fair in Vancouver, Canada.

The unique testimony of the tragic events and crimes of russia through the eyes of Ukrainians, which the entire world must see and feel. Film was created from 200 hours of chronicles: survival, resistance, and life during the war. Every minute was filmed by Ukrainians with their mobile phones. Each story in the documentary is a film captured and filmed by Ukrainians on their devices.