Erhal - Ves-te'n- Diari de la plaça Tahrir

A portrait of the Director’s maternal grandmother, Eliane, a French woman who lived her entire life in Tunisia. The film shows her last moments at home with her family before her passing due to Alzheimer's disease.

An intimate portrayal of Tunisia’s architectural landscape and its atmospheres, memories and traditions. The film appropriates ethnographic documentaries on architecture and rural life in Tunisia, sourced from France’s national audiovisual archive (INA). Scenes from 1940s newsreels produced by Les Actualités Françaises are combined with new footage from the same sites, including Matmata, Douiret and Tameghza.

January 2011 : the revolution bursts in Tunisia, my father’s country. The Tunisian people scream in a rage and I, here in Paris, can feel their revolt vibrating in my heart.

Tunisia itself is the subject; we wanted to render the genius of the site. Tunisia is almost the central character of this little film: we see the relation of the city to the sea, the traces that bear witness to its foundation, the remains of Carthage, the symbolism of the recently discovered Medina coin … The splendours of the house interiors and courtyards are associated with a scene of origin, what psychoanalysis calls a primal scene. Entering these houses opens up a world peopled by women: the child’s ‘homecoming’ in the hands of women is staged as an abduction, playing doubly on fascination and terror. These places were mine, from my childhood, they can be found almost intact – it’s the return of the exile visiting the kingdom. I let Ruiz discover all this, and immediately that led him to echoes and resonances ranging from Spain to Chile.

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Departing from material records of the early colonial “scientific expeditions” and “taming campaigns” led by the French colonizers in North Africa, the story follows a community of young nomads and wanderers as they form an imagined utopian society. Reenactments, improvisations, and interviews performed and conducted with the inhabitants of Algiers, Kythira Island, and the Prosfygika community in Athens inform this work as instances of alternative temporality and autonomous space.

The Real Story of Fake Democracy. Filmed over three years in five countries, FREEDOM FOR THE WOLF is an epic investigation into the new regime of illiberal democracy. From the young students of Hong Kong, to a rapper in post-Arab Spring Tunisia and the viral comedians of Bollywood, we discover how people from every corner of the globe are fighting the same struggle. They are fighting against elected leaders who trample on human rights, minorities, and their political opponents.

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Filmed in Cordoba, Granada, Seville, and Toledo, this documentary retraces the 800-year period in medieval Spain when Muslims, Christians, and Jews forged a common cultural identity that frequently transcended their religious differences, revealing what made this rare and fruitful collaboration possible, and what ultimately tore it apart.

Commemorating the 1986 Tunis-Paris exhibition Privileged Spaces and Times: French-Speaking Intellectual Production in Tunisia, Sarah Maldoror’s film points the way toward a more polyvocal understanding of the role of France’s National Library worldwide.

Hailing from Mohammedia, Tunisia, the film documents twelve years in the life of Mehrez. A gifted dancer and actor, but also irresistibly addicted to gambling and horse races, he struggles on a daily basis with himself and the bewildering contradictions of his country. In his unstoppable quest for truthful emotions, Mehrez defies all rules.

Marinette Pendola is a writer born in Tunisia, but her parents come from sicily. Her Grangrandfather left Sciacca, a town near Agrigento.

A story about the migration from Sicily to Tunisy over the unity of Italy.

Ten years ago exactly, more or less, give or take a day or two, six young men sat down, or maybe stood, or perhaps some of them just lounged, and wrote the first episode of a new series called Owl Stretching Time. They were called Graham Chapman , John Cleese, Terry Gilliam , Eric Idle,Terry Jones and Michael Palin and later both they and the series became known as Monty Python 's Flying Circus . Today they are the best known British comedy group in the world, famous from Cathay to Kathmandu, from Sydney to Sidcup (except in Japan where the programme is called The Gay Boys' Dragon Show ... say no more). To commemorate their tenth anniversary a BBC team tracked them down in the deserts of Tunisia where they were filming their Life of Brian and almost persuaded them to examine the genesis, the genius and the gender of Monty Python.

After an interruption of thirty years. Christian Ghazi resumes his cinematographic work with the documentary "Coffin of the Memory". The film mixes newly shot interviews with archive images. In the interviews it sheds light on two basic issues, solitude and economic situation. Through images and simple daily situations, Christian Ghazi draws a portrait of the Lebanese society, a society drowning in its contradictions and its search for an empty individualism and the superficiality of daily consumption, that of production, ideas, time and space.

Born to an Algerian father and a Sicilian mother in Tunisia, I have always been wealthy of three cultures. This motherland is where were born my Algerian ancestors when it was called Ifriqya but also my Sicilian grand-parents whose parents were part of the important migration flux of the beginning of the last century. A reservoir of workforce by the thousands reached the shores of this "promised land". A hundred years later, I embark on a quest to rediscover my Sicilian family, exiled for the past sixty years, scattered between Italy and France.

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The Spanish fishing team is one of the best in the world and the rest of the teams know it. In the last three years they have not been off the podium and in the last World Championship they hope to achieve the same. This documentary reviews the adventure of the Spanish fishing team during the XXXVIII Men's World Sea-Coast Championship in Tunisia and everything that being an elite fisherman entails.

Dr. David West Reynolds, archaeologist and a New York Times #1 best-selling Star Wars author, learned in 1995 that the original Star Wars filming locations used for Luke Skywalker's home planet of Tatooine had become lost forever. Not even Lucasfilm, producers of the Star Wars movies knew where they were anymore. This documentary follows Dr. West Reynolds journey to Tunisia in search of the locations behind that made up the alien home world of Luke Skywalker.

Presents the various stages in the production of wool and its transformation into yarn to make clothes, against the rhythm of the sound of the machines.