Monsieur Truffaut Meets Mr. Hitchcock

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Filmmaker Ian Taylor examines the impressive legacy of Hong Kong cinema -- specifically, how martial arts crossed borders and become an international phenomenon -- with the help of footage and interviews with the stars who made the genre what it is today. Director Lau Ka Leung (who helmed The 36th Chamber of Shaolin) joins in, sharing his thoughts on how certain cinematic technologies have improved martial arts films and expanded their appeal, on the set of Drunken Monkey (2003).

Documentary film interviews leading Latinos on race, identity, and achievement.

Discover the UFO phenomenon like never before, with insights from NASA, CNES, Oxford, compelling firsthand witnesses, and even the possible viewpoint of extraterrestrial visitors.

Together, Dolly Parton and GMA's Robin Roberts discuss Dolly's collaborations with numerous rock artists on her new album, including Paul McCartney, Ringo Starr, Pat Benatar, Peter Frampton, John Fogerty, and Steven Tyler. Carly Pearce gives a tour of Dollywood before performing a cover of Jolene.

Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.

Follows the story of "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in his attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.

This collection of short films represents a hint of the tectonic shift in the underground film world in connection with the punk rock “movement.” Restored from original negatives, it showcases the reasonably well-known alongside the extremely rare, from music shorts to impressionistic documentary.

A portrait of the life and career of Robert Downey Sr. (1936-2021), the visionary and fearless US filmmaker — father of actor Robert Downey Jr. — who in the sixties and seventies laid the foundations for countercultural comedy.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Louis Theroux sets out on a personal quest to meet the ultimate pop idol - Michael Jackson - and examine the often bizarre world that surrounded him and those that worshipped at his altar. The journey began in the summer of 2002 with a simple phone call to Uri Geller - a personal friend of Jackson's - to fix a meeting for Louis. What happened next resulted in a fantastical trek into a weird world of characters who orbited around the 'King of Pop'. Majestic Magnificent, Michael's personal magician, could be the gatekeeper to a meeting or just a fraud. Would Louis, a lifelong fan of Jackson, eventually meet his hero?

An examination of why the James Bond films have proved so popular including a discussion between the four actors who have played Bond, an interview with Cubby Broccoli and contributions from the directors, production designers, special effects and stuntmen.

Jonathan Ross delves into the world of James Bond and meets with new and former cast members who reveal humorous stories and anecdotes in a series of interviews. All the 5 Bonds at the time are featured, though only Lazenby (reflecting in the usual frank, self criticizing manner), Moore and Brosnan granted an interview. Connery and Dalton are featured through some unused footage from LWT's 30 years of James Bond program. The ever faithful Desmond Llewelyn turns up in character as well as some other less related peeps like Christopher Lee, Paul McCartney and the ultimate playboy: Hugh Hefner -- who all give an interesting perspective on the worlds most famous spy.

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This horror documentary is not the same as the 1986 TV special Stephen King's World of Horror nor the 1988 VHS release of the same name, which runs 45 minutes, was distributed by Front Row Entertainment and is about King himself. Instead, This Is Horror (copyright 1989) was a TV special which ran in four 60 minute increments. This new special used some framing footage from the original 'World of Horror' but is primarily newer interviews and behind-the-scenes footage about what was hot in horror in the late 80s. Here in the U.S., a condensed 90-minute version made its way onto video courtesy of Goodtimes in 1990. Elsewhere, the entire special was released as 2 different tapes running 90 minutes apiece. In the UK these were titled This is Horror: A Video Encyclopedia of Horror (Volumes 1 and 2) and in Germany they were called Best of Stephen King's World of Horror (Parts 1 & 2).

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As recently as the 1990s, many viewed her as a threat to the monarchy. Today, Camilla is one of the main pillars of support for the king and the royal family. As First Lady, she has no constitutional role, but she plays a fundamental one. The documentary tells the story of a strong woman and a great love.

Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.

“We were born in Liverpool but grew up in Hamburg”, John Lennon once said. This feature documentary seeks to find the truth in those words. The long and winding road that the Beatles took to worldwide fame passed through Hamburg, Germany in the early 1960s. Only a couple of years before they became household names, the former Quarrymen were cutting their musical teeth on nightclub stages in the city. Hamburg had become the vice capital of Europe after World War Two, its neon-lit streets home to sailors, sex workers, drug dealers, gangs and low life. Meanwhile, the English band was still developing, still young and virtually unknown. By the time of their last German visit in 1966, the Beatles were an international phenomenon. 'No Hamburg, No Beatles' explains how learning their trade in this fascinating city helped propel them to global stardom.

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