

Top Cast
Alexander Aplerku
Street Youth

Theo Barklem-Biggs
Shmilu / Samuel
Otto Baxter
Yoel
Letty Butler
Shmilu's Wife / 'Jezebel'

David de Keyser
Zeidy

Robert Firth
Aaron Feldman
Josh Friedlander
Mo Herskovic
Bella Kerridge
Bubby
Samuel Leibowitz
Tatty
Magdalena McNab
Girl
Denise Orita
Housing Officer
Key Film Crew
Production Stats
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Ira wanders around the streets of Moscow. She's pregnant with the child of Adrissa, an african student.
October
In the Second World War, probably in a concentration camp somewhere, Gary Sinise is a soldier who conducts Jews everyday to some place where only clothes come back, under the eyes of an young prisoner boy (Elijah Wood). This witness disturbs the soldier, driving the story to a tragic and sad end and a new beginning.
The Witness

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.
Phyllis

Every morning Manolo Aldeguer opens his business: an old-fashioned, tacky furniture shop located in a small Spanish town. Another working day begins: once again Manolo has to face eight endless hours to kill.
The Furniture

A filmmaker comes back to his grandparents' house to make them a video-portrait. That's what cinema is about, isn't it?
To Be and to Come Back
In 1932, Michel Simon plays in "Boudu sauvé des eaux" under the direction of Jean Renoir. Three years later, he was again invited to don the clothes of the famous tramp on the sets of Boulogne.
A Bum Deal
Inspired by the 1928 experimental film by Robert Florey and Slavko Vorkapich, The Life and Death of 9413, a Hollywood Extra, this amateur short is the story of a man who spends his entire life under the thumb of anonymous bureaucrats. The titular seal adorns everything in life, from birth to death, in a criticism of bureaucracy and power over the individual, in a film that makes stylistic references to silent cinema.
The Seal

A nurse is taking care of an elderly dying woman on a small island near the Torshavn. An old repressed memory of the island resurfaces to haunt the nurse and, as the elderly lady's health deteriorates, so does the sanity of the nurse.
Guilt

Sudanese filmmaker Ibrahim Shaddad provides a dramatic and powerful account of the trials and tribulations of a Sudanese villager in a large alien city. Shot entirely without dialogue, the film's innovative use of sound helps tell the story of a shepherd who leaves his wife and herd to settle in a nearby town. Since its premiere at the Alexandria Film Festival, Human Being (إنسان / Insan) has been shown in a number of festivals in the Middle East and Europe. This film is a prime example of experimental Arab cinema.
Human Being

A young woman, stressed by her busy and continually crowded New York City existence spontaneously retreats to a solitary lake deep in the Adirondacks.
Alone Time

The film is about five men who meet up at their old hang-out spot after finishing their first semester of college.
Lion's Den
On a sweltering hot day, a very pregnant Maria, desperate for a cooling swim, encounters obstacles on her path to the river.
The River

A group of friends come to Gary's flat after a hard night's clubbing, take more drugs and chill out until the next morning.
Coming Down

A short film focusing on bawdy talk and Italian-American stereotypes of African-Americans.


