Beware the Slenderman

A medium-length documentary commissioned by the Cuenca City Council. The documentary shows an honest, sincere, although sometimes mere tourist portrait, of the lands of Cuenca and its people, without artifice or imposture, with feeling and authenticity and at the same time with marked coldness.

The carnage in Sarajevo provides the focus of this French documentary which seeks to call attention to the terrible conflict in the hopes of finally ending it. The film is divided into five parts. Each part covers a time frame ranging from April 4, 1992, the beginning of the war, to the present. The major issues that occur are three-fold. It depicts the systematic genocide of Bosnians, the silence of Western countries, and the determination of the Bosnians to resist. They refuse to be seen as victims, even though the filmmakers portray them so. Also included are the origins and political aspects of the war. It offers interviews with participants. It also reveals how the U.S. State Department censored reports about Serbian death camps.

For the first time, exclusive and never before heard audio diaries of legendary detective Lou Smit will reveal captivating insight into one of America's most notorious cold cases - the murder of 6-year-old pageant queen JonBenét Ramsey.

After pulling a daring heist, Johnny hops on the subway to get away, but his clumsiness may get him in trouble with his boss!

A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.

A poetic documentation of the Long Beach Island, NJ community as they battle local politics, cope with personal tragedy, and band together after Hurricane Sandy.

A short documentary following the launch of the first trial to use Coca-Cola's crates and distribution know-how to deliver life-saving anti-diarrhea kits in Zambia.

After five years studying in Paris, Arash has not adjusted to life there and has decided to return to Iran to live. Hoping to change his mind, his two friends Hossein and Ashkan convince him to take a last trip through France.

"Plastic Paradise" is an independent documentary film that chronicles Angela Sun's personal journey of discovery to one of the most remote places on Earth, Midway Atoll, to uncover the truth behind the mystery of the Great Pacific Garbage Patch. Along the way she encounters scientists, celebrities, legislators and activists who shed light on what our society's vast consumption of disposable plastic is doing to our oceans -- and what it may be doing to our health.

Based on the 1931 novel To levende og en død by Sigurd Christiansen. A post office worker is left wrestling with his conscience following a robbery at his workplace.

The film portraits the stage previous to the outbreak of the Mexican Revolution, from the end of Porfirio Díaz´ government, the social volatility, the ephemeral government of Madero and the presence of the working class in the figures of Villa and Zapata, until the signing if the Constitution of 1917. All of this through moving images, filmed during those events mainly by the Alva brothers, filmmakers of that time. Those images let us perceive the contradictory and shuddered glance of the people of that period.

After forty years living in Mexico City, Antonia longs to go back to her home town, a Mazahua village in the state of Mexico. When she returns, she discovers many things, including that a scarcity of water threatens life in her community.

One of the rooms inside the legendary Barba Azul Cabaret has become a shelter for the girls working there: the women's bathroom. Every night La Mami, who's in charge of the bathrooms, offers them the warmth and the advice they need to take on the challenge they face in the dance hall.

Is the story of women that were guerrilleras in Uruguay at the beginning of the 70's. Under an intimate focus, the film shows the moments of decision and the personal crossroads that it involve. The documentary search the experience and the look of common individuals in exceptional situations and goes to the bottom of the load of tensions, fears, contradictions and personal costs that those labor instants of the History have.

The body of Sinbad the Diver turned up floating off the Atlantic coast of Nicaragua. The mermaid had turned his soul into a turtle, and the turtle was the one who returned him to the world of men. Sinbad was born once more as a Miskito and was raised on the banks of the wonderful Coco River. When he grew up, nature took care of carrying him back to the sea, where the mermaid is waiting for him. The Mermaid and the Diver is a journey to Central America, to Nicaragua, to the Atlantic Coast, and to the Miskito people.

During the 1977 World Series, Sports Illustrated reporter Melissa Ludtke was denied access to the players' locker room. After a very public fight, the door was opened, but the debate about female journalists in the male sanctum of the clubhouse remained. Through interviews with pioneering female sports writers, Let Them Wear Towels captures the raw behavior, humorous retaliation, angry lawsuits and remarkable resolve that went into the struggle for equal access for women reporters.

An intelligence agent, a target, and an ordinary citizen meet at the edge of a meatball cart. What will happen?

Five oddball criminals planning a bank robbery rent rooms on a cul-de-sac from an octogenarian widow under the pretext that they are classical musicians.

Filmed to praise the work of the Spanish Ministry of Housing in solving the problem of shanty towns in Bilbao, it was made to be viewed by General Franco and not for public screening or distribution through the NO-DO newsreel. Although the short film was commissioned by the Ministry of Housing, director Jorge Grau produced a subtly critical work.

Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.