I.D.

“At which point do you let go?…” – This is the central question of “Vios”, a short documentary that tracks the last days of a dog suffering from terminal cancer and how its owners struggle with the critical decision: whether or not to euthanise her. Shot over a 6-month period by the owners, Wendy and Ler, this intimate documentary is an unfettered access into the lives of the flmmakers, exposing their deepest vulnerabilities in face of this crisis, which had crushed their fnances and strained their relationship. Through their personal story, Wendy and Ler hope to create more awareness for dogs with cancer in Singapore and around the world.

Click for full movie details & trailers.

Click for full movie details & trailers.

A wordless portrait of sculptor Jessica Jackson Hutchins shows us the artist in the process of transforming clay into uncanny forms.

Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a woman is raped or merely the victim of gossip, she must pay the price. Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood. We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.

Jillian Michaels Killer Buns & Thighs promises to deliver with three fat-blasting booty sculpting workouts that will get you results fast! These 30-minute workouts range in difficulty level in order to provide something for everyone from beginners to the most advanced athletes.

Photographer Gundula Schulze wrote her graduate thesis on "nude photography of women in East Germany". It's a subject she continues to pursue in her photography. She considers the stereotype of superficial nude photography anachronistic, and talks vividly about being at pains to develop a relationship of trust with the women she photographs. Schulze wants to show what makes up the "whole woman", living up to her position in East Germany. Scenes of women in the professional world have been edited into the film.

Famous Spanish film critic Alfonso Sánchez talks about his personal life, his work and Anouk Aimée. A sentimental tribute to one of the most relevant figures on the Spanish film scene.

Chancellor Adenauer is accompanied on a tour of the United States and Canada.

Following the 2002 HBO documentary "Journeys with George," Pelosi's irreverent account of George W. Bush on the campaign trail, she set out on the road again with a handful of distinguished men competing to see who could eat the most pies, raise the most money and get the most votes to become the Democratic Party nominee.

Four years after a military coup overthrew the Brazilian government in 1964, all civil rights were suspended and torture became a systematic practice. Using a mix of fiction and documentary this extraordinary film is a searing record of personal memory, political repression and the will to survive. Interviews with eight women who were political prisoners during the military dictatorship are framed by the fantasies and imaginings of an anonymous character, portrayed by actress Irene Ravache.

The original documentary on the Wigstock festival, back in the day when it was a much smaller affair in Thompkins Square Park. A full day of peace, love, and wigs…

Documentary on how the osprey catches its prey. The film shows the search for prey, the launch maneuvers, take-off maneuvers and the fights with the fish.

Menhaden: The Most Important Fish in the Bay examines the role of a little-known, oily, little fish in the Chesapeake Bay. From its original concept as a classic man-versus-environment story, the film evolved to reflect the complexity of sustaining a menhaden fishery that many diverse interests depend on. The outcome: a story that seamlessly weaves together different perspectives on the menhaden fishing industry and its culture utilizing engaging personal vignettes, scientific data and creative visual storytelling techniques. Techniques include archival footage blended with cinematic live-action footage, musical performances and original, handmade animations.

A 20-minute documentary film about the Kyrgyz people living by the Narym River.

Life in a Kyrgyz aul (village) in the mountains connected to the rest of the world by a cable bridge, and the teenage boys who are constructing the rope of the bridge. A rope bridge which the locals call “The devil’s bridge” forms part of each and every event which takes place in a small village lost in the mountains of the Kyrgyz Republic. A platform driven by a huge winch which they have to pull with their own strength to cross the torrent is their only link with the outside world. But the director of the documentary wondered something else: “Does this bridge unite or does it actually separate?” Through the mist and over the thrashing waters, the inhabitants of the area glide along their ropes. A film, in the director’s own words, about ordinary people who live in an extraordinary place.

Sitting at her typewriter, listening to tango music, she dreams. Buenos Aires and Montevideo are far away, a different world where, long ago, the tango came into being. A dream about dance and music, as well as about unfulfilled desire and wanderlust behind the Berlin Wall.

Portrait of a private coal company in East Berlin's Prenzlauer Berg district in 1988/89. The feisty woman boss runs the business with humour and understanding. Her seven male employees respect her. To the outside world, they are all tough guys, but as they describe their jobs and personal situations, above and beyond the hard manual labour, their vulnerability starts to come to light.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Buttenhausen, a village: 1933 - 1942 Television journalist Lea Rosh interviews residents and Jewish visitors in Buttenhausen about their memories of the coexistence of Christians and Jews in this village in the Swabian Alb. Her reports on everyday life under National Socialism shed light on the situation of the people at that time.