Boom Festival - We Are One

Rave Culture is one of Britain’s great cultural exports, but after its first wave in the late eighties and early nineties, it was soon forced into the underground by stringent new laws and superclubs. But forward 25 years into in the midst of a nationwide purge on the nation’s nightlife, where nearly half of all British clubs have shut down in the last decade, and a new kind of scene has emerged. Clive Martin investigates this 21st century version of Rave, where young people break into disused spaces with the help of bolt-cutters and complicated squatting laws, to suck on balloons and go hard into the early morning. But with the police using increasingly extreme tactics to clamp down on these parties, and more than one fatality causing nationwide media panic, can the scene survive?

Something in the Water explores the rock phenomenon that is music in WA. How can the most isolated city in the world have exploded with so many successful bands over the years? Across decades and genres, Something in the Water asks "what is responsible for the sparkling talent pool?"

An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.

The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.

At the Saarland Modern Galerie in Saarbrücken, Germany, songs from Unfurl, Asaf Avidan's new album, blend with masterpieces from a contemporary art collection that is as socially conscious as it is inspiring.

28 songs filmed entirely with handheld cameras by Pearl Jam crew members across 19 different cities from the bands' 2000 North American tour. Reflecting the time and composition of an actual concert set list, this video is, in the words of Eddie Vedder, "in some ways the visual equivalent of the bootlegs that have been released in the past year... a basic document of what may occur at any given Pearl Jam concert."

A film about the Tibetan Freedom Concert in San Francisco in 1996.

The French-Italian tenor Roberto Alagna gave a recital of sacred songs at Notre-Dame Cathedral in Reims on May 10, 2024, showcasing his powerful and moving voice.

This comprehensive documentary chronicles the underground rave culture in Southern California, one of its first American strongholds. With roots in a tribal past, this movement attempts to format the future of a truly global community by combining elements of electronic/percussive music, the psychedelic imagination, and mass dancing. From warehouses to mountain retreats to the deserts of the Mojave, an unseen world comes into clear focus; with kinetic camera work and candid interviews, this slice of visual anthropology probes the underbelly of a worldwide subculture with the help of some of electronic music's most acclaimed DJs, a technomusicologist, and a county sheriff. Open your mind to this moving entertainment experience and intimate portrait of a modern counter-culture that follows its own electronically induced beat.

With a jazzy band featuring brass instruments, Mick Hucknall, the lead singer of Simply Red, performs his hits in the magical setting of the ancient amphitheater in Taormina. Recorded on July 23, 2003, at the ancient theater in Taormina, Sicily.

Gathered together for one night, the legendary names of Reggae and more meet at Fort Charles, Jamaica for a musical event that would reverberate around the world!

Guitarist Rodolphe Burger and multi-instrumentalist Julien Perraudeau pay tribute to Kraftwerk by reinterpreting the entire album "Radio-Activity." A performance of the third kind, given before the audience of the C'est dans la vallée festival. Recorded on October 9 at the C'est dans la vallée festival in Sainte Marie aux Mines, Alsace.

A young man named Gabe has turned his back on the musical ambitions of his youth until he finds a cassette of songs his recently deceased brother wrote, which leads him on a journey through many relationships of his past and reminds him of why music was his passion in the first place.

In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.

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Click for full movie details & trailers.

This documentary offers a behind-the-scenes look at Björk and her touring entourage for the 2001 Vespertine tour. It includes interviews with harpist Zeena Parkins, the Inuit choir from Greenland, electronic duo Matmos, and an ongoing conversation with Björk herself about her recordings and her tours. The documentary is interspersed with live footage of songs from the tour shot by Ragnheidur Gestsdóttir, which themselves correspond to the performances chosen for the Vespertine Live album.

A humorous ode to the world of classical music and some of its star musicians.

A short documentary following the story of a local pub in Adelaide facing threats of demolition.

The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.