Coffee House Rendezvous

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

Visionary, radical, spiritual seeker, renowned poet, founding member of a major literary movement, champion of human rights, Buddhist, political activist and teacher. Extensive archival footage, interviews, and home movies cover Allen Ginsberg's life, activism, and influence on American culture through the Beat era, the 1960s, and beyond.

This documentary chronicles the journey of Christ Community Church, a thriving multisite church in Chicagoland, founded by Pastor Jim Nicodem and his wife, Sue. From its humble beginnings to its growth into a dynamic community of faith, the film explores the church’s foundation, history, and core values that have shaped its mission. Through interviews, archival footage, and personal stories, this documentary highlights the impact of Christ Community Church on its members, its surrounding communities, and its vision for the future.

A documentary on kids who attend a summer camp hoping to become the next Billy Graham.

In 1965, passionate musician Glenn Holland takes a day job as a high school music teacher, convinced it's just a small obstacle on the road to his true calling: writing a historic opus. As the decades roll by with the composition unwritten but generations of students inspired through his teaching, Holland must redefine his life's purpose.

A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.

A small town teenager in the 1960s believes her dreams of becoming a famous singer will come true when her rock star idol gets stranded in town. But a leak in a nearby chemical plant that is believed to be causing mass mutations threatens to turn her dream into a nightmare.

In 1972, officer Frank Serpico exposes the corruption which poisons the roots of the NYPD and becomes famous in 1973 when director Sidney Lumet tells his story in the classic film “Serpico,” starring Al Pacino.

A free church pastor in Aarhus is reported to the police for having violated seven women in the congregation, with two of the women accusing him of rape. The pastor admits to inappropriate relationships, but claims it was consensual. The police drop the case due to lack of evidence, as it is currently not illegal for a pastor to have sex with adult members of the congregation, as long as they are over 18. But should the law be changed? The prosecution has charged the pastor with showing inappropriate nude images, with a reservation to seek deportation and compensation.

One day, while Grigoris is working and singing at a construction site, a conductor, Vangelis, and two bouzouki musicians happen to pass by. They listen, enchanted by his limpid voice, and suggest that he becomes a member of their orchestra. Thus, the newly-wed day laborer gets a second job at Mr. Lefteris’ night club. His wife, Marina, soon joins him at the club, and, before long, she too goes on stage, cuts capers and charms everyone. Her success, however, has a negative impact on the couple’s relationship, since Marina’s admirers as well as those of Grigoris’, turn one away from the other.

Is the story of a generation of thieves who achieved their greatest victories in the sixties; their distinctive code of ethics, the various categories of delinquents inhabiting the city’s streets, their alliances with high ranking police officials that allowed them to operate, the betrayals that followed, and the price they ended up paying.

In 1961, father and son travel to Porto Alegre. Their severance leads both to unknown realities.

It's Easter time in Crisper County and cable news reporter Marlee Meade (Petunia Rhubarb) is hunting for a way to help others. On a tip that the old town theater will be shut down, Marlee cooks up a plan to save the stage and make a difference through the power of musical theater! With a cast of costume-clad townies, massive props and a 20-foot robot rabbit - "Up With Bunnies" is hatched! There's only one thing missing - the star of the show! When news spreads that singing sensation Cassie Cassava (Melinda Dolittle) is arriving to perform in her hometown church's Easter service, Marlee gets worried. Concerned about the competition, she schemes to steal the starlet for her own pageant! But when things go haywire, will it be curtains for Marlee's dreams - or will she discover the true meaning of Easter and what helping others is really all about?

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Fujishima Hiroshi (Kyu Sakamoto), a born "genius of mischief," joins a trading company in order to meet Nakahara Michiko (Kayama Yoshiko), a girl he has admired since his student days. However, he competes with his rival Kono (Tani Kanichi) to beat Michiko, and uses all sorts of business tactics to climb the corporate ladder in this salaryman screwball comedy.

It's 1961, two years after the original Grease gang graduated, and there's a new crop of seniors and new members of the coolest cliques on campus, the Pink Ladies and T-Birds. Michael Carrington is the new kid in school - but he's been branded a brainiac. Can he fix up an old motorcycle, don a leather jacket, avoid a rumble with the leader of the T-Birds, and win the heart of Pink Lady Stephanie?

Thirty years after the release of his film JFK (1991), filmmaker Oliver Stone reviews recently declassified evidence related to the assassination of President John F. Kennedy, which took place in Dallas on November 22, 1963.

Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother.

It's the end of the school year. The long-awaited moment of the holidays is arrive. The little Nicolas, her parents and Grandma take the road towards the sea, and settle in for some time at the Hotel Beau-Rivage.

Gavin MacLeod and Marion Ross host a Christmas celebration that features classic performances of popular holiday standards and traditional carols performed, throughout decades past, by an array of artists, including Andy Williams, Bing Crosby, Perry Como, Johnny Mathis, Brenda Lee, Eddy Arnold, Nat King Cole, Judy Garland, Mitch Miller and the Gang, Gene Autry, Jimmy Boyd, the Supremes, Rosemary Clooney, the Lennon Sisters, Burl Ives, Mahalia Jackson, Mitzi Gaynor, Julie Andrews, the Beach Boys, the Carpenters, Jose Feliciano, the Drifters, Ronnie Spector, the Harry Simeone Chorale, and David Bowie.