Veil of Years

Six poems written by six young prisoners animated to tell their stories, thoughts, fears and hopes.

In the year 2150, Johnny, a lazy Space Delivery Man, must deliver a package on a planet he does not fully understand.

An alliance of evil-doers, led by Frieda, looks to take over Fairy Tale Land. But when Ella realizes her stepmother is out to ruin her storybook existence, she takes a dramatic turn and blossoms into the leader of the resistance effort.

Click for full movie details & trailers.

The visual style of the film is inspired by ancient tribal symbols, which constantly morph into each other. They represent life in a womb-like frame.

The Boyg is the voice within that whispers go around, preventing you from facing yourself, suffocating progress and initiative. A six minute visual and musical remix of Ibsens Peer Gynt, Norwegian Folklore, Edvard Griegs composition, paralyzing panic attacks and The Great Boyg itself who finds us all.

This is a film about a man without a face. His arms and legs, bound with ropes, the disabled man is still without even a shudder in a white room. A series of unusual scenes in this room expresses what lies between memories, nightmares, and violent images.

Early abstract 3D film by animation master Norman McLaren and collaborator Evelyn Lambart.

This very short stereoscopic film by Evelyn Lambart uses drawings to suggest movement across Canada’s ever-changing countryside.

Men and women, all dressing up, awaiting, tempting, enjoying the bliss or sadly unsuccessful. Delights of the body, yearning, excitement, luxury, decadence, erotic of the common day. The erotic as frivolous, mischievous, frolic, comic and sometimes also slightly serious animated musical erotic fantasy. Much like the modern dance art, the film is marked by interplay of the visual and musical components – picture, rhythm, color, motion. The film consists of separate sequences, each of them accompanied by individual musical movements of Mr. Saint-Saens’s compo­sition.

Several scary black-and-white animated segments in different styles appeal to our fear(s) of the dark.

An animated short consisting of 4 segments: bowl, garden, theatre, marble game. Preserved by the Academy Film Archive in partnership with Harvard Film Archive in 2015.

A showcase for the MCAD Animation Workshop 1972 where each student was given one of a series of cells to animate whatever they pleased.

This short animation features four guests of curious demeanour who commit unforgivable acts at the dining table. Food flies everywhere while the guests prop their feet up and talk with their mouths full. Thankfully, Lady Fishbourne’s eating etiquette instructions will show these dinner party misfits the error of their ways.

"We Go Past Future" is an experimental paper collage film by Anna Malina. The film reimagines a series of Soviet films from 1919 to 1953, blending them into a unique visual narrative.

A well to do bunny faces challenges in everyday living in this fun loving tribute to Saturday Morning cartoons.

Enter Hamlet is a collage of images in cartoon form of a word put in balloon in each jump-cut scene as that word is said by the narrator Maurice Evans during his “To be or not to be…” soliloquy recording.

Short film of 300 individually painted images. A lost film.

One of the first animated short films. A wanderer enters a cabaret in the countryside and asks a waitress for a beer. She comes back with a pint, as the wanderer begins to court her. However, the kitchen boy comes, drinks the beer and vanishes. The wanderer, misunderstanding, asks for another beer. Then a traveler enters and has an argument with the wandered. During the argument, the kitchen boy appears, sips the second beer and runs away. As the traveler quits, the customer finds his glass empty again. He calls the waitress, expresses his disappointment and leaves. The kitchen boy comes in and explains to the waitress what he did with the two beers. They make fun together of the wanderer and leave. A lost film.

Everyone's favorite lazy, lasagna loving, Monday hating orange tabby leaves his exciting star of a popular comic strip world for the real one. But as the novelty wears thin, Garfield begins looking for a way back before his strip is permanently cancelled.