Metaphysics of Sound

A short, silent, experimental film created by avant-garde created by Ukranian-born artist, Anna Malina.

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Arguably Larry Gottheim’s most exuberant experiment in the single-shot, single-roll format (and his first with a soundtrack), HARMONICA trains the camera on a friend improvising a tune in the backseat of a moving car. Held out the window, the harmonica becomes a musical conduit for the wind, while Gottheim's film transforms before our eyes into a playful meditation on wrangling the natural elements into art. - Max Goldberg

James Sumner directs and animates the entire Dirty Projectors’ The Getty Address.

A film in five different sections, each containing a different soundscape by Ostrowski. Hand painted film, intense exposure, morphing textures and shapes into a seamless whole; geometrical games sabotaging themselves; and the incessant lure of the abstract paint drift. The soundscapes, of course, build up like fountains of picture, oscillating between contemplative sculptures with electronically manipulated strings and harsh noise attacks on our senses. Despite the use of sound as a central filmic element, Cyanonide stands as a proof of the enduring influence of Brakhage on american avant-film.

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This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.

Your raging romp results only in rescinded regret @ the hands of radder cadets.

Slowed, stowed, achingly retold.

Still it's really tall. Still it's really floundering/falling/fading.

Strings together what's strung together (please use yr tether).

A musician seeks a peaceful vacation in a Vogtland village but is soon overwhelmed by requests for a symphonic composition and a pop song for a local dance band, leaving him with no time to relax.

Return to 'burn' only to find out you're already in that urn.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

"Frozen Jumper" begins in hit-and-run style with a pulsating textural noise. Flickering, nearly rectangular patterns join on the image plane, at first in black-and-white, bringing to mind the sprocket holes in celluloid film and, not least due to the lack of geometric precision, giving the impression of a pre-digital origin. As the soundtrack rattles on in a minimalistic way, the pattern’s twitchy dance is submerged in various warm hues such as yellow, pink, light green and light blue, which in a different rhythm and to a more agreeable music could be perceived as the signature of slightly retro psychedelia.

Circuit bent gain controller run into a CRT TV

A film about friendship and the occasional loneliness.

It's time the times met each other over & over.

Say Om as you reach home only to realize you never really left/stopped saying Om.

Don't ask me why, but I feel we're about to cry trying.