Rostov-Luanda

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An investigative documentary on the Angolan conflict, filmed on location in Portuguese-controlled Africa by Robert M. Young and first broadcast in 1961. (Note: Originally broadcast as an episode of NBC’s White Paper series (1961), but listed separately due to its independent documentary production, hazardous field filming, major journalistic impact, and sustained scholarly treatment as a standalone documentary work.)

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The film sheds light on a country in which, after twenty-seven years of war and three ­years of official peace, there is an overwhelming discrepancy between poor and rich. A sensitive and respectful approach towards a traumatised society.

Blood Diamonds is a made-for-TV documentary series, originally broadcast on the History Channel, that looks into the trade of diamonds which fund rebellions and wars in many African nations. The program focuses primarily on two nations: Sierra Leone and Angola. Diamonds which are traded for this purpose are known as blood diamonds.

While the center of Angola's capital Luanda is now ranked as one of the most expensive places in the world, the majority of the city's population lives in abject poverty. But young people are rebelling and creating their own counterculture with their own music styles and acrobatic dances, using the "ghetto" as a trademark to define their style.

In Angola's mist-shrouded highlands, three KhoiSan master trackers embark on a spiritual quest to rediscover the legendary "ghost elephants" of Lisima, creatures presumed lost but remembered in ancestral trance, ritual, and memory.

An anthropological film of the people of Angola.

In Luanda, one of the world's poorest and most dangerous places, three students from Angola's only music school work towards their end-of-year concert. The Music School is Angola's first and only school of its kind. It houses some 80 students, most of them desperately poor. Many face disapproval and outright rejection from their families who can't see a future in music. This film asks if, despite the ravages of 27 years of civil war, musical passion can overcome terrible hardships.

Scenes from the three last days of the festival in which the population of the old Kingdom of Jau participate yearly.

RAI documentary filmed in 1996 about Angola, whose people, after more than ten years of anti-colonial struggle and twenty of civil war, still suffer due to the amount of active landmines scattered all over the country.

Filmed immediately after the end of the civil war in Angola, Há Sempre Alguém Que Te Ama records the return of Pocas Pascoal to the country where she was born, in an attempt to reconstruct the episode that, in 1975, led to the capture of the director along with her mother and sisters. An intimate documentary about memory and self-(re)construction.

In 1961 the liberation struggles start in Angola against the portuguese colonial power. The African students in Portugal fear for their safety and plan to flee outside the country. With the help of Theology students, French and North-American pastors, the operation code name "Angola" fled over 100 african students abroad towards freedom, amongst them several future leaders of african countries.

Deolinda Rodrigues Francisco de Almeida, whose war name was "Langidila," was one of the great Heroines who sacrificed her entire life for Angola. History is quick to highlight her deeds.

Brazil and Angola while on either side of the Atlantic Ocean have the same language, a common colonial past and many shared stories. In this film, correspondence is exchanged between these two places – some people are longtime friends, others have never met. Their stories intertwine and tell about migration, nostalgia, belonging, war, prejudice, exile and distance. The search for identity and flow of memory are driven by the line of affection that binds the seven pairs of speakers presented in this documentary, people whose life stories are traced between Brazil, Angola and Portugal.

In 1975, Ryszard Kapuściński, a veteran Polish journalist, embarked on a seemingly suicidal road trip into the heart of the Angola's civil war. There, he witnessed once again the dirty reality of war and discovered a sense of helplessness previously unknown to him. Angola changed him forever: it was a reporter who left Poland, but it was a writer who returned…

Alex Honnold is the most accomplished free climber in the world. Angola is a southwest African country that recently emerged from 27 years of bloody civil war. What brings together these strange bedfellows you ask? Some of the most epic unclimbed rocks in the world, and a community needing help to diffuse the hidden land mines leftover from the conflict. (Plus a shadowy local hotel magnate, but we'll get into that later). This is Alex Honnold in Angola, for one of the most unique adventures of his storied climbing career this far.

An insight and explanation of the Ovambo people of Angola and their smelting tradition. It highlights and examines an ongoing process that contains many examples of cultural ritual. The film is also of interest as it is a piece of work that has been carried out by two of Major Powell-Cotton's daughters, Diana and Antoinette, during a time when women ethnographic film makers where few.

Otelinda and Lutoy, married for almost 50 years, are reminded of the moments of greatest tension they experienced, in the Angolan civil war, when confronted with the images on the news about the war in Ukraine. Narrated by Otelinda, her story, we learn her story from the 25th of April, until the day she waited alone for her husband on the verge of misfortune, in Cabinda. Her narration is accompanied by the contrasting images of their daily lives in 2023, as well as the landscapes and people of the country where they now reside. Their relationship initially appears distant, but becomes closer towards the end of the narrative, through the memories of everything they suffered together.

Documentary about how the government in Angola used Fake News against the independence movement in its own country and how the Western press simply adopted much of the misinformation...