37°4 S

This Vitaphone one-reel short, written by the author of "Show-Off", George Kelly

What started out as a simple holiday trip on the Swiss mountain lake, is beneath the surface an intense drama between a mother and her daughter.

As a young couple discuss the idea of giving up smoking, the sounds of a neighboring argument spill into their flat. The argument makes them question their own marriage, while doing nothing about the neighboring situation. Meanwhile, a young teenager argues with his mother as he tries to sneak out to a party with friends. His mother blackmails him into staying home, using his guilt against him.

A man hunts divine beings in a city that is falling into decrepitude. The society may have turned its back on him, but that doesn't stop him from moving forward in his endless search.

Mandaue Landfill, The Philippines: the 50 families who call this home are the bottom of their society; the lowest of the low. But material wealth is not the only kind of riches, and where there is hope and resourcefulness there is always the chance of a better life.

Young kids face off in a dance competition.

17-year-old Arend lives with his parents and hasn't come out of the closet yet. His first step into the gay world of love is on a date with handsome Michael, a guy he met on a gay dating site. They arrange to meet and Arend ventures to the other side of the country only to discover that Michael is not quite what he imagined.

Fifteen-year old Cihan accompanies his grandmother on a journey to Turkey, to attend a wedding. They have not much in common and have to spend a whole day together in Istanbul.

Simon appears to be everyone's best friend, while in reality he is a jealous, manipulative schemer. He coldly focuses on destroying the only meaningful relationship his best friend Ken has ever had, with a girl called Heather. Will he succeed and what will he gain out of tearing them apart? Let the games begin...

A man has a panic attack in the street, at night. Because?

The day his computer turns into sand, Crassus, brilliant trader, goes insane. Counting the grains of sand like gold, it is lost in the Syrian desert where, as its namesake, the avid triumvir, he finds a tragic death.

The Amber Sexalogy is a suite of six interrelated but markedly different DV shorts. Charting certain stages in the relationship between Harris, a young man played by a series of different actors and Amber, a young woman played by Melissa Maureen Rizal, these very different short films work as a unified suite and eventually build up to a master narrative that unfolds fully in the moments of reflection after watching the entire 61 minutes. (Benjamin McKay)

The story picks up after an unexplained disagreement between two brothers, Goat and Aaron. To work out their differences, they take a hike together. The beauty of nature brings them back together, but the violence in Goat's heart can't be controlled and it pulls him under.

1895 is a picture about the life of brothers Auguste and Louis Lumiere, who have immortalized their names as inventors of cinematography. What inspired them?

will be added later

When father decides Richard is old enough to leave his parental home, he sends him out into the world. Only Richard keeps returning home: everytime in a more bizarre way. Somehow he seems attached to the house. When an unfortunate alteration in life takes place, Richard is forced to stand on his own feet.

The warping lens used to photograph 10th Avenue seems to puzzle the filmmakers.

Black & White, Short Film, United States, Silent.

In order to enjoy a romantic private swim together, Jo and Eddie hide when their local swimming pool is closing for the evening. But unknown to them, a killer is on the loose - and in the building with them.

“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)