Tokai (street cleaner)

The warping lens used to photograph 10th Avenue seems to puzzle the filmmakers.

Black & White, Short Film, United States, Silent.

Pop Warner shows 1890s football equipment and explains to his modern 1931 team how the game was played.

Year 2009 Northwest of the Peruvian jungle, near the border with Ecuador, a mining company enters the depths of the virgin forest in search for mineral resources, regardless of the damage it can cause. The entry is made with the approval of the government without the consent of the indigenous people living there Awajún. Known for their courage and bravery, the Awajún hold back the invaders; but in the struggle for their land, they are brutally beaten by the ultra-liberal government. Violence begets violence. Through a video workshop aimed at awajún, the director follows the trail of an irreparable injury.

Mutar, who fought in the war, is back in Guinea. In his luggage, he brings strange objects. Fatu, his daughter, takes the opportunity of Mutar's absence to open his bag. Shortly afterwards, Fatu's boyfriend Idrissa finds Mutar with his hand soiled in blood and Fatu dead. It is then that Idrissa picks up a drum.

Based on two poems by Rafael Alberti, Garabatos (“Scribbles”) is a reflection on childhood, education and the demise of innocence. Music by Pierre Henry, Pierre Schaeffer and Edgard Varèse.

The story of Shinya Kimura, a creator of custom motorcycles which he designs with a unique philosophy of love, life and simplicity.

A short dance film in Pathécolor, also know as stencil colouring. The editing cuts correspond with the dancers' costume changes. More about stencil colouring at http://zauberklang.ch/filmcolors/timeline-entry/1218/.

Mandaue Landfill, The Philippines: the 50 families who call this home are the bottom of their society; the lowest of the low. But material wealth is not the only kind of riches, and where there is hope and resourcefulness there is always the chance of a better life.

“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)

This Vitaphone one-reel short, written by the author of "Show-Off", George Kelly

1895 is a picture about the life of brothers Auguste and Louis Lumiere, who have immortalized their names as inventors of cinematography. What inspired them?

When father decides Richard is old enough to leave his parental home, he sends him out into the world. Only Richard keeps returning home: everytime in a more bizarre way. Somehow he seems attached to the house. When an unfortunate alteration in life takes place, Richard is forced to stand on his own feet.

What started out as a simple holiday trip on the Swiss mountain lake, is beneath the surface an intense drama between a mother and her daughter.

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As a young couple discuss the idea of giving up smoking, the sounds of a neighboring argument spill into their flat. The argument makes them question their own marriage, while doing nothing about the neighboring situation. Meanwhile, a young teenager argues with his mother as he tries to sneak out to a party with friends. His mother blackmails him into staying home, using his guilt against him.

A 40-year-old middle-class man who loves his domotics to toe the line will figure out, because of a water drop, that things you own end up owning you.

The bizarre adventures of the cartoon character Foska, drawn by 22 animators working in collaboration. Each animator worked on his or her own sequence only and did not know what action preceded or followed his or her sequence, except that the first drawing of a sequence is the last drawing from the previous sequence. Preserved by the Academy Film Archive in 2010.

Douglas and Business Cat find a baby that ruins their business.

A man has a panic attack in the street, at night. Because?