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A reporter and a detective team up to solve the murder of a nightclub singer who had been involved in a divorce scandal.

After losing her job as a waitress, Mary Ryan is hired to work in a traveling show's chorus line by theatrical agent Leon O'Day and his partner. The agents convince a young, wealthy socialite named Seymour to finance a brand-new show. To secure the gig and the funding, they lie to Seymour and tell him that Mary is actually a Russian princess in hiding. The deception completely charms Seymour, and Mary gets her contract. Her fabricated royal status takes off when Seymour's mother invites Mary to tea, catapulting her to society stardom. However, the lie threatens to unravel when Mrs. Seymour—an avid social reformer—takes Mary and Seymour to a night court, where Mary's missing sister Rose is brought in under arrest. When Mary claims her sister, the truth is exposed, leading to a series of complications and dramatic resolutions.

To pick up material for his latest play, Kendall poses as a waiter at a fancy restaurant. In a twinkling, he gets mixed up with a gang of sinister foreign agents, who hope to get their hands on a noiseless explosive device

"The Irish Washerwoman" is to be produced by Manager Mathew Talon. The cast is all engaged but the leading lady.

The editor of the "Rising Sun," angry at a scoop of a rival paper, instructs his reporter to write up "How it Feels to Be a Burglar."

This story revolves around a young woman who loses her job and a young man who has been unable to make a success as an art photographer. A fire breaks out in the house where the woman is rooming, and she rushes to the street en dishabille, just as the man appears. Immediately he has visions of a fortune, and persuades her to pose as a wild Greek girl. He has her arrested for performing Grecian dances in the street in her scanty attire.

Second release in James Montgomery Flagg's 'Sweethearts and Wives' series of short comedies.

A middle-aged couple find their rural lives in disarray when they inherit eighty-nine million dollars. One of James Montgomery Flagg's 'Sweethearts and Wives' series of short comedies.

First release in James Montgomery Flagg's 'Sweethearts and Wives' series of short comedies.

Felix the Cat can't find anything to eat, so he bribes Father Time to send him back to when life was easier. However, the Stone Age turns out to have its own problems.

Purity League father can't restrain his adventurous daughter from parading around in scanty bathing suits. Willy must learn how to fight in order to win her heart.

Disowned son of a millionaire, Paul Bunyon and his pal, Philo Brown, get jobs (under assumed names) in a lumber yard owned by Paul’s father. Paul falls in love with Patricia Jennings, the manager's daughter. Philo, boasting that Paul is fighter "Mile a Minute Morgan," get him a match with a professional. Paul intends to skip out, but Patricia persuades him to stay. When Kenneth Winster steals the purse money and abducts Patricia, Paul knocks out his opponent, chases Winster, recovers the money, saves Patricia, and wins his father's respect.

Adam, a plumber, is happily married to Eve, a wardrobe-obsessed housewife, until she accidentally meets a supercilious fashion designer. At the prompting of her neighbor, who has secret designs on Adam, Eve secretly becomes a fashion model by day, knowing that her husband would disapprove.

Snub is determined to make his new restaurant, The Green Cat, a success— no matter what it takes.

Two cavemen, The Duke and Stonejaw Steve, call on Miss Araminta Rockface. The hated rivals fight, and Steve wins when he throws The Duke into a pot of boiling water. A title card introduces a third rival, "our unassuming hero, Theophilus Ivoryhead." Miss Rockface invites the three men into her father's drawing room/cave, apologizing for not offering tea, since it has not been discovered yet. The Duke and Steve fight again, and everyone rushes out of the cave. Mr. Rockface notices his pot of food is empty; earlier, Wild Willie the Missing Link had eaten it. Mr. Rockface tells the three suitors they will have to procure their own dinner. Steve locates a desert quail and shoots an arrow at it, but the arrow misses the quail and happily (for Steve) hits The Duke's behind. Meanwhile, Wild Willie is still hungry and goes hunting for snakes. He finds a dinosaur's tail instead...

A caveman falls victim to a prehistoric prankster, but he is avenged by his pet chicken.

Silas Hayseed arrives in town and proceeds to put up a hotel noted for its 'tables,' which are all made of hard wood. The country yokel is shown to his room and divests himself of his best Sunday-go-to-meetin' clothes. His little bunch of whiskers that adorn his chin seem to be as proud of him as his Melindy Jane, whom he left in Grassville, back over yonder. He is finally undressed and tumbles into bed, resolving meanwhile to dream of the good prices he will realize in his produce. While pondering over matters, he looks around and discovers a Ghost standing in the middle of the room. Silas becomes scared, begosh, and leaping out on the floor begs the Ghost to do him no harm. The Ghost suddenly vanishes and the Hayseed is about to jump into bed again when Satan appears from under the sheets and scares him to such an extent that he is willing to promise him even a box of fresh rooster eggs if he will only go away.

After a dastardly villain steals milk from a baby, he tries to put the heroine through a laundry press.

An American banker goes to a small Balkan country looking to invest his bank's money and shore up the country's weak economy in order to maximize the return on their investment. Towards that end he befriends the country's king and they come up with a scheme to get the Crown Prince married, a prospect not particularly appealing to the Crown Prince--until he sees the beautiful cabaret dancer the pair has picked for him to marry.

The Glenroy Brothers perform a portion of their vaudeville act, "The Comic View of Boxing: The Tramp & the Athlete", which depicts a boxer with a classic style trying to contend with an opponent who uses a very unorthodox approach.