The Boy Who Couldn't Swim

Tomás and Valentim are two young men who have just entered their twenties, full of dreams, illusions, and disappointments. The two enter a relationship seeking to fill the emptiness within themselves, but soon realize that for a relationship to work, it takes much more than desire.

Étienne is dumped by his girlfriend who criticizes him for not behaving like a real guy. He is then caught up in three episodes by his past, represented by his ex-partners, Lucas and Caroline, as well as his mother and sister, who appear one after the other in his apartment. Étienne falls back into his old patterns, his relatives only wanting an image of the virile man they have made of him and whom he is trying to embody. He becomes aware of it the moment a young man appears and thus has the chance to drop his mask, to assume who he is, in an unexpected way but unique to himself.

14th-century Franciscan monk William of Baskerville and his young novice arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church's authority and fight the shadowy conspiracy of monastery monks using only his intelligence; which is considerable.

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Two young students, Matheus and Diego, experience their first love.

YeJoo and EunMin spent two years as a couple so far. One day, YeJoo wants to finish the relationship that she had with EunMin. EunMin gets angry and asks if there's another girl. Yejoo says she got a boyfriend.

A writer tries to force his character into suicide, but the character fights back.

Based on true accounts, the superficial lines between subject and bystander are blurred and bound together, allowing individuals to walk in a vast space and thoroughly live a fragment of the refugees' personal journeys.

In 1960s Wyoming, two men develop a strong emotional and sexual relationship that endures as a lifelong connection complicating their lives as they get married and start families of their own.

The tiricia is an illness of the soul when the heart is saddened. A story of three generations afflicted with being tiricientas: Ita, Justa and Alicia – grandmother, mother and daughter – who have at different times suffered, tolerated and allowed abuse, dragging on the disease. Alicia decides to break the cycle, eradicating it for future generations.

The fictional Father Ángel de la Cruz is based on Legion of Christ founder Marcial Maciel, whose long history of child abuse was not addressed until 2006 and only publicly acknowledged in 2009. But director Luis Urquiza chooses to structure his film through the largely uncomprehending, wondering eyes of 13-year-old Julián, who travels from the arms of his loving pastoral family into the austere, hallowed halls of the seminary. Singling out the boy as his intimate disciple, installing him in his palatial private quarters and redubbing him “Sacramento Santos,” Father Ángel begins Julian’s instruction into the mysteries of “perfect obedience,” whose cardinal rule is: Never question a superior’s actions.

'Guacho' narrates a summer day in the life of two teenage friends, Maikol and Darío, who want to escape their everyday crushing reality, at least for a day. They spend up to the last penny to get to the mountains where, taking refuge in tranquility and mutual love, they manage to get a grasp of happiness. But freedom does not seem to be so available to them.

Two angels, Damiel and Cassiel, glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed but never interacting with them. When Damiel falls in love with lonely trapeze artist Marion, the angel longs to experience life in the physical world, and finds — with some words of wisdom from actor Peter Falk — that it might be possible for him to take human form.

Two warriors in pursuit of a stolen sword and a notorious fugitive are led to an impetuous, physically-skilled, teenage nobleman's daughter, who is at a crossroads in her life.

For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.

A young woman is late for an important job interview when she notices a woman falling ill just as the train drives into the station.

Trapped in a seemingly dull family vacation, Dimitra, Dimitris and their two daughters will have to find a way out of a secluded island in the Mediterranean, when confronted with the unexpected end of the world.

Will Freeman is a good-looking, smooth-talking bachelor whose primary goal in life is avoiding any kind of responsibility. But when he invents an imaginary son in order to meet attractive single moms, Will gets a hilarious lesson about life from a bright, but hopelessly geeky 12-year-old named Marcus. Now, as Will struggles to teach Marcus the art of being cool, Marcus teaches Will that you're never too old to grow up.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).