

Key Film Crew
Production Stats
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Once up on a time, there was an ugly and violent monster. Because he was ugly, everybody disliked him. One day, the monster came to the small town to get some food and found a small girl. The monster tried to eat her, but something happened to him and changed him.
Monster and Dumpling

Krumins’ fantasy sets the world of flora and fauna on its ear. At one moment grotesque greenish mushrooms grow, wither and reverse their life-cycle, at another, strange crustacean-like animals speed around on a bed of feathers, next a room is inundated with giant ladybugs… Preserved by the Academy Film Archive in 2009.
Babobilicons
A crazy, irresistible, intense, spectacular car chase between police and four unlikely accomplices.
The Chase

"I think of Odalisque as my first film. It was completed after film school and I worked with just a graphite pencil, a small group of colored pencils and animation bond. It is a trilogy of amorous dreams coming from the imagination of a woman recalling her childhood, her beloved twin so difficult to separate from and becoming an adult sexual person. The aria Sempre Libera from La Triviata by Verdi opens the film and the poem Leda and the Swan by WB Yeats ends it. It was great to work with Michael Riesman who created the sound track. I loved working in NYC in those days with Robin McDaniel, Rebecca High and others." Preserved by the Academy Film Archive in 2017.
Odalisque

Mountain Music illustrates what happens when technology gets too advanced too soon. Preserved by the Academy Film Archive in 2012.
Mountain Music

The animation, music, and optical printing of Kitsch in Synch was produced by Beckett and the students in two classes he was teaching at CalArts. Although a group project, it is clear that Beckett was the director. The playful, catchy soundtrack is used to create a cycle of building tension and release. The brightly colored shapes create approximate symmetrical formations and become more densely layered, with glimpses of iconographic objects and even live footage near the end. Preserved by the Academy Film Archive, in partnership with the iotaCenter, in 2007.
Kitsch in Synch

For many years, Urs has had to look after his aging mother. But now he sets out for a dangerous journey: He carries his mother up a mountain to find a better place for both of them. But she wants to stay at home.
Urs

An mutoscope motion picture installation commissioned for the 86th anniversary of the Guggenheim museum. Later preserved and turned into a short film. Preserved by the Academy Film Archive in 2000.
Mutoscope Reels

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese.
A Grand Day Out

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno trousers created by Wallace. However, Gromit later learns that the penguin is a wanted criminal.
The Wrong Trousers

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
A Close Shave
A story about love, hate and loneliness, depicting several days from the life of two brothers. They work as track walkers on a railway somewhere in rural Russia.
Just the Two of Us

Kris Kringle, seemingly the embodiment of Santa Claus, is asked to portray the jolly old fellow at Macy's following his performance in the Thanksgiving Day parade. His portrayal is so complete that many begin to question if he truly is Santa Claus, while others question his sanity.
Miracle on 34th Street

A man's repeated attempts to retrieve an apple off a high tree branch all prove fruitless. What does he want the apple for? That would be telling.
The Apple

Jerry Martin quits his dull job as a bank clerk and falls in with a band of hobos. He takes on the guise of Bachelor, the "king of the market," and finds himself pursued by dangerous men who are after the real Bachelor. *Only fragments are known to exist. Preserved by the Academy Film Archive in 2010.


