Likhaya

United in Anger: A History of ACT UP is an inspiring documentary about the birth and life of the AIDS activist movement from the perspective of the people in the trenches fighting the epidemic. Utilizing oral histories of members of ACT UP, as well as rare archival footage, the film depicts the efforts of ACT UP as it battles corporate greed, social indifference, and government negligence.

This shocking documentary reveals the plight of young Nigerians branded as witches.

Pulitzer Prize-winning journalists Nicholas Kristof and Sheryl WuDunn explore the causes and costs of addiction, poverty and incarceration plaguing America, from the inner city to small towns like Kristof's hometown of Yamhill, Oregon. While pockets of empathy and aid exist, are they enough to rescue the thousands of Americans in despair, for whom the American Dream of self-reliance is impossibly out of reach?

A documentary film about the art and process of making Fura Da Nono - a type of food that is originated from West Africa's Sahel region, one of the many unique traditions of the Fulani people which has been preserved for centuries.

A mini documentary about the untold contributions lesbians made during the A.I.D.S epidemic.

MORENA tells the uplifting story of the Philippine National Surf Athlete Ikit Agudo, who overcame the pressure to blend into a society obsessed with skin whitening. Within the ocean, she found happiness, strength, and pride in her roots. Inspiring young girls around the world to embrace who they truly are. In the Philippines, skin-whitening remains a billion-peso industry, a legacy of colonial beauty ideals that for generations have led many to neglect their true identity and natural beauty.

After the waning of the protests in Sanrizuka, Ogawa Pro started questioning the future of the collective and looking for other subjects to film. Following the method developed in the previous films, the filmmakers moved to the slum of Kotobuchi in the port city of Yokohama, where more than 6000 people were struggling to get by without any means of survival, exposed to industrial accidents and diseases. The result is one of the most moving films produced by the collective, a series of beautifully filmed portraits, voicing the silenced stories and songs of a group of people living in this community. Credit: ICA London

Peter Watkins' global look at the impact of military use of nuclear technology and people's perception of it, as well as a meditation on the inherent bias of the media, and documentaries themselves.

Controversial documentary about gay men purposely contracting the AIDS virus.

The story of unemployment in New Zealand and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, as a new poverty-stricken underclass developed.

Rwanda was once a country of peace, beauty and fabulous wildlife. Romain Baertsoen arrived there in 1966 and started to film two of Rwanda's secrets, the Bahima tribe and rare mountain gorillas. The Rwandan Civil War shattered the peace in 1994, as warring factions pillaged towns and plundered the forests. Remarkably, the gorillas survived, but the world around them is increasingly uncertain.

America has long been called a Christian nation. In fact, over 70% of adults in America identify themselves as Christian. Yet when filmmaker Brandon McGuire heads to the streets to ask a few clarifying questions about how Christianity is defined within our culture, he is shocked by the answers he finds. This provocative documentary takes us deep within the American mind and brings to the surface the big ideas that have influenced the way we think about ourselves and about God.

An Austrian director followed five successful African music and dance artists with his camera and followed their lives for a year. The artists, from villages in Ghana, Gambia and Congo, were the subjects of Africa! Africa! touring across Europe, but they have unbreakable roots to their homeland and their families. Schmiderer lovingly portrays his heroes, who tell their stories about themselves, their art and what it means to them to be African with captivating honesty. The interviews are interwoven with dance scenes and colourful vignettes set to authentic music.

For doctors “MARASMA” was a diagnosis: a state of deep organic deterioration, total loss of strength. In mental hospitals, people did not die of mental illness, but of marasmus. This is what the medical records say, which today reveal the most difficult stories: those of the last among the weakest, children and women. Through their testimonies we can also give voice to those who do not know, who do not want or can not remember.

“There was excitement in the air,” says Donga, now in his late twenties, describing his feelings when the uprising against Muammar Gaddafi’s rule broke out in 2011. He was 19, living in Misrata, and boldly went to film the fighting with a friend. A decade later, in a hotel in Istanbul, where he has been living since he was wounded in battle, he looks back on the past ten years through excerpts from his videos. And he reflects on how that period has affected him.

As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.

Successful model Samira Hashi makes an emotional return to Somalia, one of the most dangerous places in the world and the place she was born.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Megacities is a documentary about the slums of five different metropolitan cities.

In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.