Australian History

A young Malay girl is separated from her mother at a Pasar Malam (night market) and meets a cat who brings her deep into the underbelly of the bazaar where fantasy meets reality.

A story of solitude, serendipity and kindness during a perennial late afternoon downpour in the heart of the city as two souls try to find their way home in the rain.

An innocent friendship that blossomed between bookshelves of the old National Library that grew into a love story that would find its way back decades later in search of memories amongst little red bricks.

A look at life’s bittersweet simplicity as we follow a boy and a girl from childhood to old age with their years marked by Singapore playgrounds from days gone by.

A spiritual prequel to 2015's 'The Violin', this 5-min short film once again takes viewers back to the old days of colonial Singapore, this time in the mid-1800s when emigrants arrived in droves after Singapore became a free port.

Osas and her friends are in traffic at Falomo when Aunty Yuwa calls. The conversation that follows touches on family, religion, social identities and same sex relationships. Created by Opemipo Aikomo and Daniel Orubo.

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A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

One winter, a ravenous ogre terrorizes the land of King Balthasar. Meanwhile, a blizzard is brewing in Léon’s heart. Braving the cold, this adopted bear cub runs away from home. Léon has many an adventure during his travels. He befriends a hedgehog and an elephant, confronts an ogre, and sets Princess Molly Gingerbread free. His courage and integrity eventually lead him back to his family. In the end, the cub earns everybody’s respect.

As Hélène Cixous would say, we precisely live in this time when the conceptual basis of an age-old culture is being undermined by millions of moles of a species never seen before.

An abstract computer-generated film. The image is of squares revolving in space around and through each other. Colors and forms multiply and divide against a beautiful symphonic score by George Kleinsinger.

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Childhood memories of fishing with grandpa grow so vivid they visit the protagonist's present experience.

In the midst of a searing heatwave, two little kids find the way to cool everyone down.

Autodale's detective presence 'Friendly Shadow' makes an effort to keep the monsters lurking outside from entering the city, one such attack however gets very gruesome very fast.

A experimental animated film featuring moving shapes and lines.

The Boyg is the voice within that whispers go around, preventing you from facing yourself, suffocating progress and initiative. A six minute visual and musical remix of Ibsens Peer Gynt, Norwegian Folklore, Edvard Griegs composition, paralyzing panic attacks and The Great Boyg itself who finds us all.

The city comes to life around a little girl and plays ball with her while she is waiting for her mother to do the shopping. Made in gouache technique, this lyrical short film was highly innovative for its time, winning the first prize at the Children’s Film Festival in Venice.

Ronie, an animation student, thinks that being an animator is easy. Little did he know there are big challenges in the way.

Handmade, direct animation film using rubber based masking material and colored dye. Rhthmic colored linear patterns of abstract grids move in syncopation to the allegro from the Brandenburg Concerto #3 in G Major by J.S. Back. Inspired by the handmade films of Norman McLaren, who once told Larry over milkshakes that Allegro was the best film he had seen made in 16mm.