Bonzolino or – Bonzo Broadcasted

A young man travels the lifeless wasteland of what was once civilization. He's following the breadcrumbs of an apparent thriving society hidden somewhere in the vast, long-dead wilderness.

Pluto's primitive wolf nature emerges and berates him for going soft. But their little hunting trip goes bad when Pluto encounters a rabbit and bear that give him some trouble.

A Japanese equivalent of a Hollywood Screen Song.

An Aesop's Fables cartoon with monkeys monkeying around.

A public service animation from O'Galop that warns against the dangers of alcohol. Oh, the woes of drinking. Even a small glass of alcohol will turn someone inevitably into an epileptic criminal.

This one is another warning to the French public about the dangers of alcohol. Everything seems rosy at first, but that doesn't last long. After illustrating the 'metamorphosis of money' into alcohol, the film describes the inevitable consequence - which isn't just drunkenness and unconsciousness, but insanity and death apparently.

This fascinating series features Max himself, filmed in live action, sitting at a drawing board and concocting adventures for his star performer Ko-Ko the Clown. Max is supposedly the guy in charge, and he takes sadistic glee in putting Ko-Ko through various forms of hell, but the clown usually fights back and sometimes gets the best of his Uncle Max. FADEAWAY elevates this charged relationship to new heights (or depths?) of nightmarish surrealism; it's also one of the most enjoyable Inkwell cartoons I've seen to date, packing lots of imaginative, unpredictable twists and turns into an eight minute running time.

Four customers are having a peaceful game of cards in a quiet café. The atmosphere being heavy, the waiter falls asleep and has an unsettling dream about the ills of alcohol, among other things.

After an organ grinder's monkey grabs a little girl's lollipop with his tail, the musician explains why monkeys are so clever with their tails.

For the production of this film, Oskar Fischinger tinted various layers of hot wax. After cooling, the resulting lump of wax resembled a marble cake. Fischinger then began to cut off slices from the lump, photographing each step.

Bell Telephone instructional film shows how - and how not - to treat your upright desk telephone set. Don't wiggle the hook excessively, don't tangle the cord, keep away from water, etc.

Ko-Ko the Clown is brought to life with a needle and thread.

Oswald takes a job as a lifeguard to keep an eye on Miss Rabbit, who in turn stages a boating accident hoping Oswald will come to save her.

One of Oskar Fischinger's earliest films, Seelische Konstruktionen (as it is known in German), clearly points the way to the masterpieces of musically-blended experimental animation he would conceive in the decades to come. The sense of masterful timing and rhythm, the easy and natural -- though patently Fischinger-esque -- character traits of the subjects, and the smooth precision of both line and movement are all present already. Unique is the black-silhouetted, semi-cartoon characters (not nearly as rigidly self-contained as Lotte Reiniger's cut-out forms) which seem to adhere to no physical limitations whatsoever. Morphing into shapes, structures, objects, patterns, and even one another, as though they were made of pure mercury and set to music. As for the "story", it's rather non-sensical, and certainly silly, but also has a slightly dark and devious tinge to it as well; men becoming monsters, uncontrollable shape-shifting and the constant, almost desperate movement.

Ko-Ko and Fitz find that everything in their cartoon world is moving backwards. After entering the real world, they go inside a clock and move the hands backward, causing life all around the city to run in reverse.

A live-action amateur hypnotist mesmerizes Ko-Ko the clown and Fitz the dog; but a witch teaches them how to take their revenge…

Porky invests his savings. Mayhem ensues.

Oswald the Lucky Rabbit, a member of the Royal Canadian Mounted Police, goes in pursuit of Peg-Leg Pete.

While Tom Cat goes away hunting, Mickey, Minnie, and their mouse friends break into his house and perform music. They play various tunes on the piano while the other mice hit household objects in tune to the music.

'Sky Scrappers' finds three characters -- Oswald, a Big Pete-style bully and a Minnie-ish female character -- all engaged in knockabout humour on a building site.