Watani: A World Without Evil

It tells the story of a boy Kumasenu who moves to the city of Accra from a small fishing village, encouraged by his cousin Agboh's exaggerated tales of the wonders of city life. Hungry, he steals bread and is caught by police, but is rescued by a doctor and his wife who find him work. Agboh attempts to get Kumasenu to rob the doctor, but Kumasenu foils his cousin's plans.

A veteran sergeant of World War I leads a squad in World War II, always in the company of the survivor Pvt. Griff, the writer Pvt. Zab, the Sicilian Pvt. Vinci and Pvt. Johnson, in Vichy French Africa, Sicily, D-Day at Omaha Beach, Belgium and France, and ending in a concentration camp in Czechoslovakia where they face the true horror of war.

Juju Stories tackles juju in contemporary Lagos through three stories. In Love Potion, by Omonua, an unmarried woman agrees to use juju to find herself an ideal mate. In Yam, by Makama, consequences arise when a street urchin picks up seemingly random money from the roadside. In Suffer the Witch, by Obasi, love and friendship turns into obsession, when a young college woman attracts her crush's interest.

Two brothers are divided by marriage and fate during the 100 horrifying days of the 1994 Rwandan genocide.

David Locke is a world-weary American journalist who has been sent to cover a conflict in northern Africa, but he makes little progress with the story. When he discovers the body of a stranger who looks similar to him, Locke assumes the dead man's identity. However, he soon finds out that the man was an arms dealer, leading Locke into dangerous situations. Aided by a beautiful woman, Locke attempts to avoid both the police and criminals out to get him.

Tourneur, a self-proclaimed cinéaste, feuds with Cinema and his gang, who are obsessed with foreign action movies.

An African mother will do just about anything to protect her child. Bilaly is a simple peasant who is blind. He wants to “know” a woman before he dies, but try as his mother might, she cannot find someone to oblige. She finally gets an idea – an idea that completely stuns the village.

In 1911, a willful and determined man from peasant stock named Charles Saganne enlists in the military and is assigned to the Sahara Desert under the aristocratic Colonel Dubreuilh.

Christiana, a determined university student, faces a dark spiral of challenges when her supervisor demands an unethical favor for her project approval, leaving her homeless and unsupported.

Writer Harry Street reflects on his life as he lies dying from an infection while on safari in the shadow of Mount Kilimanjaro.

Based on a traditional African tale. A king has the habit whilst walking in disguise on the streets of his kingdom to listen to the wishes of his own people. One day he overhears two brothers daydreaming out loud about marrying the king's daughters, even if that meant being beheaded one year later. The weddings take place and one of the brother is decapitated one year later. The other one escapes execution at his wife's insistence. On a long journey full of surprising incidents, our hero himself becomes king of a village with wives and subjects. However, his earlier promise haunts him, and in order to save his family he accepts to be sacrificed.

A sorcerer (played by the director himself) controls all activities in a village. Manipulating the different parties, the sorcerer promises love, good health and riches in exchange for the most extravagant rewards. One day someone exposes him, and the sorcerer becomes the laughing stock of the whole village. Desperate, he throws himself of a cliff.

A dissolute man whose wife cheats on him seeks revenge to preserve his honor.

Life in the African country of Mali in the 1990s is vividly highlighted in this mild drama. In the story, a young forest ranger who sees that his work holds the key to the future of his country (through reforestation) is disgusted at the short-sighted, money-grubbing ways of his superiors. He has a much better relationship with local villagers than with his agency's bosses. As the movie opens, the villagers are preparing to hold a hunting ceremony but are not sure whether they will do it the old fashioned way, with a bonfire, or will obey a government decree that open fires are too dangerous. There is a lot of sexual teasing between the villagers, including some harmless horseplay. For instance, when a man whispers another woman's name in his sleep, his wife pours water into his ear in revenge.

A young Ivorian man travels to Paris in search of his white wife and their daughter, after she has returned to France. His journey through the city becomes an account of a mixed marriage and the social tensions surrounding it. The film, Désiré Ecaré's feature debut, unfolds as a satirical comedy set to a score by Memphis Slim.

Young Africans in Paris face insecurity and vague future. Should they stay in France, or return to their homes?

At a festival, a chorus of women sing and dance as two stories unfold. In a village, a young women with a jealous husband gives him something to be jealous about when his younger brother visits from the city.

An African diplomat who has returned to his native country after a long stay in Europe realizes that perhaps he has assimilated too much white culture.

An aging village chief entrenched in traditional Cameroonian ways clashes with his daughter. She was educated in France to help support the family, but has taken on the trappings of Western Europeans.

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.