Cartoon College

In November 15, 2017, the painting Salvator Mundi, attributed to Italian artist Leonardo da Vinci (1452-1519), was sold for an unprecedented $450 million. An examination of the dirty secrets of the art world and the surprising story of how a work of art is capable of upsetting both personal and geopolitical interests.

A short film by Peter Greenaway. It depicts the painting The Wedding Feast at Cana by Paolo Veronese, through mixed media and shows different perspectives.

The history of the Teatro Amazonas in Manaus, an opera house located in the middle of the Amazon rainforest, whose construction, between 1884 and 1896, depended on the labor exploitation of the local indigenous populations, provides an insight into the cultural, social and political situation in Brazil.

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This documentary features a kinetic artist who creates vibrant mixed media works that push the boundary between 2D and 3D.

Palazzo Vecchio: a history of art and power. Directed by Piero Messina, through a clever movement of the narration between past and present, makes a real journey into the beauty of an ancient place that still retains its undisputed charm.

The multi-talented outsider artist Richard McMahan is on a quest to painstakingly re-create thousands of famous and not-so-famous paintings and artifacts–in miniature.

This film explains what James Ensor (1860-1949) meant for the development of art and makes palpable where he got his inspiration from.

Kingdom of Granada, al-Andalus, 14th century. After recognizing that his land, always under siege, is hopelessly doomed to be conquered, Sultan Yusuf I undertakes the construction of a magnificent fortress with the purpose of turning it into the landmark of his civilization and his history, a glorious monument that will survive the oblivion of the coming centuries: the Alhambra.

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Everyone thinks that Bob Kane created Batman, but that’s not the whole truth. One author makes it his crusade to make it known that Bill Finger, a struggling writer, actually helped invent the iconic superhero, from concept to costume to the very character we all know and love. Bruce Wayne may be Batman’s secret identity, but his creator was always a true mystery.

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.

Rory Blank is a cartoonist based out of Austin, Texas. He also sells t-shirts.

Documentary about the painters Augustus John and James Dickson Innes who, in 1911, left London for the wild Arenig Valley in North Wales. Over three years, they created a body of work to rival the visionary landscapes of Matisse.

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April 15, 1874, boulevard des Capucines, Paris: a group of young feverish painters shunned by the official Salon and mocked by the classical masters, chose to come together to exhibit their paintings freely, in the studio of photographer Nadar. At the end of a teeming century, when modernity was emerging, this group of rebellious artists, revolutionized the world of art.

Olev Subbi (1930–2013) was one of the most significant painters of the second half of the 20th century. His art constantly strived for harmony and beauty, reviving lost memories. This documentary reconstructs the environments of his paintings, features interviews with artists and Subbi’s contemporaries, and incorporates archival footage, creating a multilayered perspective on the life and work of this remarkable artist.

A documentary about Tintoretto.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.