Echo of the Mountain

The stirring personal journey of an amazing couple whose story would help shape the 20th century. A small town boy from Illinois with big dreams, Ronald Wilson Reagan began his rise to public life in sports broadcasting and then as a star of film and television. But it was during his years in Hollywood as president of the Screen Actor's Guild that he discovered the two great passions of his life: politics and his soul mate, Nancy Davis. Together, Ron and Nancy forged a legacy as the first couple of California and then the United States of America as they led the charge for the rebirth of conservative values. This candid and intimate portrait captures the Reagans' inspiring journey, historic partnership and touching love story.

Australien Skies2: Contact Of Interest is the second film in the critically acclaimed "Australien Skies" UFO series from documentary filmmaker Don Meers. In “Contact Of Interest” we accompany Don as he returns to Kiama in New South Wales to visit UFO contactee Liam Freaney, who appeared in the first Australien Skies film. With a collection of UFO footage, black helicopters and claims of government conspiracy, Liam’s appearance in the first film caused a great deal of excitement and controversy. However, as Don discovers, not all is well with Liam. In the time that has passed, his experiences have taken a decidedly darker turn. Contact Of Interest asks the question “Is capturing a video of a UFO the end of peoples experiences or could it be only the beginning into the far broader landscapes of this phenomenon"

In 1977, a book of photographs captured an awakening - women shedding the cultural restrictions of their childhoods and embracing their full humanity. This documentary revisits those photos, those women and those times and takes aim at our culture today that alarmingly shows the need for continued change.

A follow-up to "The Leader, His Driver, and the Driver's Wife", about the history of the far-right group AWB and its leader Eugene Terre'Blanche.

JEWS excavates a lost world of manners and ritual in home movies shot by several Chicago families from the 1920s through the 1940s. Much as in similar found footage soliloquies by Péter Forgács, Jay Rosenblatt and Ken Jacobs, director Roger Deutsch wrings unexpected pathos from mundane traces of the past. Children mug for the camera with dances of the day, upright mothers march their strollers up the avenue, men smoke, the family gathers around the table to light the candles. The bare title cannot help but raise the specter of contemporaneous events in Europe, lending an extra degree of urgency to the film's meditation on disappearance. - Max Goldberg

Documentary exploring the making of the third installment of the popular post-apocalyptic roleplaying game series Fallout. The Making of Fallout 3 features behind the scenes footage, concept art and was only made available to people who had purchased the collectors edition of the game.

The Common Touch tells the story of Jake Bailey, viral sensation and student of Christchurch Boys High School, who was told one week before his graduation speech about his diagnosis of life-threatening cancer.

Resorting on a vast archive material of newsreels, photographs, letters, family videos, fiction movies, diary and popular songs excerpts, the documentary reassesses the legacy of the dictatorial period of Getúlio Vargas (1937-1945). Through the comparison and analysis of these heterogeneous records, produced for different purposes, from political propaganda to family celebration, the film explores the several layers of the political web of the Estado Novo, exposing its external inspirational sources, functionality and contradictions.

This BAFTA nominated documentary tells the story of some of the brightest mathematical brains of a generation. Each year, exceptionally gifted teenagers from over 90 countries compete for medals at the International Mathematical Olympiad. The film follows a group of brilliant teenagers as they battle it out to become the chosen six selected to represent the UK.

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The world of fashion, between the end of the Sixties and the beginning of the Noughties, had a key character that embodied its spirit and told the tale: journalist Anna Piaggi, living witness of that contamination between art, society and culture that changed fashion and sanctioned its success on a global scale. The daughter of a manager for La Rinascente (Milan's iconic high-end shopping mall whose foundation goes back to 1865), Karl Lagerfeld's muse, "a poet with her clothes" in the words of Bill Cunningham, her life is retraced through interviews with designers (Jean-Charles de Castelbajac, Stephen Jones, Manolo Blahnik, and more) together with archival images from four decades of fashion history.

Irrepressible writer-comedian Carl Reiner, who shows no signs of slowing down at 94, tracks down celebrated nonagenarians, and a few others over 100, to show how the twilight years can truly be the happiest and most rewarding. Among those who share their insights into what it takes to be vital and productive in older age are Mel Brooks, Dick Van Dyke, Kirk Douglas, Norman Lear, Betty White and Tony Bennett.

Tells the stories of four students who are turning their lives around at the Ithuteng Trust School.

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Lola lives in a public nursing home where everything is shared: the clothes, the showers, the only coffin and the endings. Her only personal belonging is the memory of her two great loves: her mother and husband. Thanks to them Lola has something to do every day, going to the main door’s window to check on her husband who lives across the street and to the phone, where she tries to call her mother. Both died long ago, but they are Lola’s only strength to reach her end in a world that, otherwise, is very impersonal for her.

Witness the creation of the Celldweller album "End of an Empire" as Klayton gives you an unprecedented behind the scenes look in this feature-length documentary. From musical direction to art design, staff meetings and interviews with the FiXT team and Klayton himself, "Start of an Empire" shows how the iconic album came to life. From writing, recording, engineering, producing, mixing and mastering the album entirely by himself, to uncovering some of the inner workings of his label, FiXT and the team he surrounds himself with, Start of An Empire provides an intimate commentary on the man behind the iconic red mohawk. Experience the music, art & creation of the promotional videos behind TIME, LOVE, DREAMS & DEATH, the 4 chapters from End of an Empire, from the other side of the lens.

Born in 1918 in San Diego, Williams was a latchkey child from a broken home, raised by a mother more dedicated to the Salvation Army than to her two sons, and by a father who spent more time away from home than in it. Williams found salvation by doing the one thing he loved most: hitting baseballs. In his rookie season with the Red Sox, where he would spend his entire career as a player, Williams batted .327, socked 31 homers and led the league with 145 RBI. Over the next 21 years, despite losing five seasons of his prime to active service as a U.S. Marine Corps pilot, Williams hit 521 home runs, twice captured the Triple Crown, and became the oldest man ever to win a batting title. He finished his career with a .344 lifetime batting average, was the last man to hit over .400 in a full season, batting .406 in 1941, and was a first-ballot inductee into the Baseball Hall of Fame.

Directed by Marianne Chaud

After a quarter-century of political denial and social stigma, of stunning scientific breakthroughs, bitter policy battles and inadequate prevention campaigns, HIV/AIDS continues to spread rapidly throughout much of the world. Through interviews with AIDS researchers, world leaders, activists, and patients, FRONTLINE investigates the science, politics, and human cost of this fateful disease and asks: What are the lessons of the past, and what can be done to stop AIDS?

Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.