Viramundo

The Mejia family emigrated from Oaxaca to Fresno, California 40 years ago. Filmmaker Trisha ZIff filmed the family in 1996, and returns now to see the changes that have settled over them, and follows the family on their return to Mexico.

Documentary about a "transportation commando" in Germany with the goal to deport 200 people to Albania...

Director Miriam Pucitta grew up as the child of Italian migrant workers in Switzerland in the 1960s and 1970s. She herself has only fragmentary memories of this time; her mother and other relatives evade Miriam's questions. Together with her daughter Giulia, she researches her family's living conditions in Switzerland and finds a new understanding of her parents' difficult decisions.

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What happens to families in the absence of sons? What happens to land in the absence of farmers? What happens to villages in the absence of men? Sent Away Boys weaves together stories of individual ambitions and family biographies from Punjab (India) to chronicle the gradual transformation of agrarian landscape and patriarchal traditions through ongoing transnational migration. As the promise of a secure future in agriculture grows increasingly uncertain for young men across the region, escaping India to join the low-wage labor in countries like Canada and USA becomes their sole aspiration. In rural Punjab, being a successful man now entails leaving their village, traveling abroad, and sending money home. Through interviews with men preparing to undertake often risky journeys and women awaiting the return of their sons, brothers and husbands, Sent Away Boys shows how young men's decisions to emigrate implicate families and communities across North India.

A meeting between two strangers sparks the desire to understand each other through the medium of cinema. They both simultaneously start recording their surroundings on camera and crafting the resulting footage. They, Elettra from Italy and Hazem from Gaza, become the subjects of this film that documents their first moments together. It depicts a multi-faceted reality in which North and South confront each other in a discussion on rights and inequalities, a reality in which we witness a migration towards one another, while capturing an intimate way of making a film together.

Every year, on the steppes of the Serengeti, the most spectacular migration of animals on our planet: Around two million wildebeest, Burchell's zebra and Thomson's gazelles begin their tour of nearly 2,000 miles across the almost treeless savannah. For the first time, a documentary captures stunning footage in the midst of this demanding journey. The documentary starts at the beginning of the year, when more than two million animals gather in the shadow of the volcanoes on the southern edge of the Serengeti in order to birth their offspring. In just two weeks, the animal herd's population has increased by one third, and after only two days, the calves can already run as fast as the adults The young wildebeest in this phase of their life are the most vulnerable to attacks by lions, cheetahs, leopards or hyenas. The film then follows the survivors of these attacks through the next three months on their incredible journey, a trip so long that 200,000 wildebeest will not reach the end.

In the midst of economic prosperity, when Venezuela welcomed millions of migrants, this documentary narrates different realities of the country.

Five Afghan men try to reach Europe. The filmmakers followed them for over six months, filming their clandestine journey and chronicling a migration combining fantasy and stark reality, setbacks and achievements, in the midst of the dangers of such trips.

The Other Side of Fear signifies the actions which incite religious violence and broaden the divide of cultural and moral beliefs in society. The film shadows two clashing perspectives both of which are searching for safety in their own communities and these perspectives blend testimonies of trauma and manifestos of power. By using poetic documentation, the director acknowledges that there are more than two sides to every story and intertwines these sentiments, embodiments and experiences into one journey to understand what is happening behind the doors of communities the other hasn’t experienced.

This documentary follows various migratory bird species on their long journeys from their summer homes to the equator and back, covering thousands of miles and navigating by the stars. These arduous treks are crucial for survival, seeking hospitable climates and food sources. Birds face numerous challenges, including crossing oceans and evading predators, illness, and injury. Although migrations are undertaken as a community, birds disperse into family units once they reach their destinations, and every continent is affected by these migrations, hosting migratory bird species at least part of the year.

A metaphor of the Flood in our times, The Flood is the rain of violence that washes over us. Noah´s Ark is the train that runs through Mexico toward the United States and migrants are the species attempting to save their lives. For the directors, cinema moves people not just by condemnation, but by confronting and fostering emotions which lead to new, constructive ideas. This documentary became a cinematographic diary for their first viewer, their three-year-old daughter, Zafirah.

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Life on the breadline in the 1930s was hard enough, but times were desperate when you fell beneath it. Hunger marches organised by the National Unemployed Workers' Movement drew attention to the cause, but this left-wing collective picked up a cine-camera. The fictional story at the heart of the film is somewhat melodramatic, but the authentic surroundings give its message realism and weight.

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Found footage: California in the 1950's and 60's. A young Indian couple enjoys their personal American dream come true in their home somewhere in the suburbs of San Francisco. In great detail they pose with their newly achieved wealth in front of their Super-8 camera. Just like postcards, they would send these film rolls to their joint families back in India. Around the same time, an American missionary couple visits the city of Calcutta to shoot a Christian propaganda film. The drastic reality with poverty and famine in the streets of the Indian metropolis fits perfectly into their wicked plan: To promote the faith in Jesus by showing the misery that pagan believers are doomed to suffer from.

A humorous observation in Barcelona’s immigrant neighbourhood El Raval. Four barber shops, four places of remembrance, strange time and space capsules inhabited by people who left their home to find a better one, while the Spaniards are about to leave their own country themselves.

La Chapelle neighbourhood, Paris. Hundreds of exiled people from East Africa survive on the streets, chased violently by the police, yet seeking to defend their rights as asylum seekers. Some months later, having finally obtained their rightful housing, two Sudanese young men return to the sites where they first landed and talk about their arrival in Paris during this agitation.

Migrants from the countryside and unemployed people from neighbouring cities take over some unused land and establish a neighbourhood in the industrial zone of Maracay. The event coincides with a presidential election campaign, which motivates political demonstrations in that town.

Nine post war migrants are interviewed in their houses and explain their survival in World War 2, migration to Australia. Travel on ships. Arrival in Australia. Life in migrant camps. Assimilation into Australian society.