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Estado de Excepção is a documentary about CITAC (Coimbra Theater Initiation Circle), a university theater group, revealing history since it was constituted in 1956 until the aftermath of the 1974 revolution. It is the history of the theater group university and, through it, the history of theater in Portugal, revealing two remarkable decades of the History of Portugal. Through the Academy of Coimbra, the documentary reproduces student life, the position of women in society, and the change in mentalities of being and being in the world. It reproduces the existing censorship and the fight against the dictatorship, the resistance to an exhausted regime, as well as the emerging contradictions of the democratic revolution. CITAC has a heritage of 50 years of experience in Coimbra. It carries with it the possibility of the theatrical and civic formation of thinking bodies, constituting a proper ball of a possible model, generation by generation, between studies, theater, and social drama.

In this film, outspokenly homosexual filmmaker Rosa von Praunheim has documented his encounters with friends in the New York "underground" arts movement, the better-known of whom are William Burroughs (who says nothing for the camera), Andy Warhol (seen in the distance) and Fernando Arrabal (who is interviewed in Spanish). The emigrants named in the title are notable Germans who left the country before World War II, such as Greta Keller and Grete Mosheim. Reviewers at the time of the film's release considered it to have been a sort of paid vacation for the filmmaker rather than a serious effort. (Clarke Fountain, Rovi)

A film on Haldun Taner, a respectable, democratic intellectual and a brilliant author of political essays, various genres and kinds of literary texts and especially theatre plays all of which have been a masterpiece in Turkey art history.

The attempt to accompany the creative process (with the inevitable difficulties and silences) of five women-dancers-choreographers, in their experience of creating a work of dance theater.

A study of Tennessee Williams's life and work as a whole, ranging from his youth in Mississippi and in St. Louis to success and acclaim, followed by the final difficult years. Includes some of the most celebrated scenes from film adaptations of Williams' work, among them extracts of A Streetcar Named Desire (1951),Cat on a Hot Tin Roof (1958), Night of the Iguana, The (1964), and Suddenly, Last Summer (1993) (TV). Contains footage of Williams being interviewed, including conversations with David Frost, 'Edward R. Murrow (I)', and Melvyn Bragg, as well as reminiscences from people who knew and worked with him, among them Edward Albee, Gore Vidal, and his lifelong friend, Lady Maria St. Just. Features readings from Elia Kazan's Notebook by Kim Hunter.

The work of actors on a stage makes a dreamlike parallelism between artistic immagination and the concreteness of everyday life. Tribute to Prague's Divadlo na zàbradlì, theater that has been a point of reference for Theater of the Absurd in Czechoslovakia in Sixties

Steve, a 25-year-old Black man from the Paris suburbs, seeks to escape the violence of his immediate surroundings by training to become an actor at one of France’s most prestigious drama schools. But soon he discovers that the theater world is only interested in having him inhabit “Black” roles.

A behind the scenes look at the Broadway production of Jelly's Last Jam, including a tribute to jazz musician and composer Jelly Roll Morton. Gregory Hines and George C. Wolfe, who wrote the book for Jelly's Last Jam, are interviewed. Includes scenes from the show.

Russian actor and pedagogue, Gennadi Bogdanov, presents the most important etudes and principles of Vsevolod Meyerhold's Biomechanics. Includes archival photographs and film of Meyerhold's original work and also recent scenic work from Europe and the U.S. developed on the principles of bio-mechanics.

This documentary focuses on immigrant teens between the ages of 12 and 17 who share the story of their migration and their adaption to life in Canada through theatre. Young but wise, these children describe their experiences with emotion and authenticity.

How Do You See Me? is a Brazilian documentary feature that entwines both experienced actors and beginners to explore the hardships and the happiness that are inherent to the job when detached from the glam and glitz of the gossip industry, creating a diverse and comprehensive mosaic of what it means to be an actor in Brazil, a country so full of contradictions. The film brings forward a reality that the masses usually don't get to know: the men and women moved by a deep passion for acting and touching people. With Julio Adrião, Matheus Nachtergaele, José Celso Martinez, Cássia Kis, Nanda Costa, Babu Santana, Luciano Vidigal and Letícia Sabatella, among others.

BBC television program exploring Visconti’s mastery of cinema, theater, and opera direction.

Multi award-winning psychological illusionist Derren Brown returns in the recording of his acclaimed live show ‘Infamous’. Featuring Derren at his baffling best with the excitement of a live theatre audience, Infamous includes amazing, provocative, jaw dropping demonstrations of his incredible skills of magic, suggestion, showmanship and misdirection in a must-watch roller coaster of emotions.

It's one of America's most cherished traditions—the 91st Annual Macy's Thanksgiving Day Parade .

A provocative and ironic pamphleteering documentary about the making of Christoph Schlingensief’s Nazi-'Hamlet’ (2001). Both a media event and a form of political action Schlingensief let ex-neo-Nazis play themselves. His provocation in so-called Nazi-free Switzerland was not appreciated and when he added fuel to the flames by calling for the local political party SVP to be banned, his media offensive made front-page news far beyond Switzerland.

Volksbühne am Rosa-Luxemburg-Platz 1992-2017. The end of the GDR gave rise to new artistic freedoms in reunited Berlin. Shortly after the fall of the Wall, rebel director Frank Castorf was appointed artistic director of the Volksbühne. His way of working altered the public’s perception of this theater. The chronological history of the Castorf era between 1992 and 2017 is told here in excerpts from the productions and in a series of conversations conducted on the long sofa in the theater's foyer.

In this filmed version of cult film director John Waters' popular one-man show, the Pink Flamingos and A Dirty Shame director takes the stage to discuss everything from his early influences, fondest career memories, and notorious struggles against the MPAA rating system. Part endearing memoir and part hilarious lecture, This Filthy World touches on everything from the insanity of contemporary pop culture to the director's unforgettable early collaborations with inimitable Pink Flamingos star Divine.

This cinematic portrait shows the Austrian filmmaker Ulrich Seidl at work. The much-discussed ‘Seidl method’ is conveyed here vividly and directly: The camera watches over Seidl’s shoulder during the filming of his new production IM KELLER, and observes him at the rehearsals for his latest theatre production ‘Böse Buben / Fiese Männer’. The film paints the picture of a fascinating and exceptional artist using a combination of extensive interviews and excerpts from earlier works.

Made during the last months of actor Kurt Raab, who died of AIDS in 1988. Raab, who had worked in both theatre and film, most notably with Fassbinder, was in the process of making a series of video sketches for a new production when he learned that he had AIDS. Despite his deteriorating health, and with the caring support of his friend Hans Hirshmuller, he carried on working. This tape is his last testimony.

Documentary about 35 years of this theater group.