Londrina, a Cidade Moderna de Artigas

In the heart of São Paulo, the Copan building houses more than five thousand residents and becomes the stage for a heated election. The building manager, who has held the position for 30 years, fights to keep his job, while an even bigger dispute unfolds outside the building's walls, with Lula and Jair Bolsonaro vying for the presidency of Brazil.

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Click for full movie details & trailers.

Click for full movie details & trailers.

Click for full movie details & trailers.

Click for full movie details & trailers.

It all begins with western riders coming down the main street of a town that looks a lot more urban than the usual town you see in western movies, with building facades of stone, even though the streets are dirt.

Nice looking Travelogue takes us to the Northeast corner of Wyoming as we visit Yellowstone National Park.

Toronto-based, award-winning dancer, teacher, and choreographer Joanna De Souza takes us through her journey as a non-South Asian dancer in the classical dance form of Kathak.

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wE r @ opium_latte on iNstttaGram

Filmmaker Peep Puks has directed 61 documentaries and created almost 40 programmes for television. In this film, he looks back on a lost time, the films that have accompanied him, and the colleagues without whom this all wouldn’t have happened. It’s also the story of the first post-war generation of Estonia and the birth of the Estonian documentary.

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Click for full movie details & trailers.

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An inspirational conversation between David Bowie and director Thomas Vinterberg. Topics of discussion: Bowie’s new album ‘Heathen’, Vinterberg’s Dogma-style filmmaking, numbness of life, living in America and the mind of a fool.

It depicts the daily lives of people whose job is to chase away cormorants that eat fish from a fish farm near Donji Miholjac, Croatia. Cormorants are protected by law and their nesting grounds are located across the border, in Hungary, which gives the protagonists’ efforts a Sisyphean, absurd.

"Going through my mini DVs shot over the past decade, I rediscovered a forgotten night sequence of Chantal Akerman and Sonia Wieder-Atherton leaving a brasserie where we had dined together in Montparnasse. The excerpt stayed with me for a while. This prompted me to focus on Chantal’s sound work in her films and her very close collaboration with cellist, Sonia Wieder-Atherton with whom she made more than 20 films. And, since New York, Paris and Moscow were places the three of us had in common, I intertwined some of my images with hers."

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